View all recordings of works by this composer
Abu Hassan, J106 (excerpts) (1)Abu Hassan, J106 (12)
Air Russe and Rondo (1)
Allemandes (12), op.4 (1)
Andante e Rondo ungarese, op.35 J158 (8)
Andantino (1)
Aufforderung zum Tanze (Invitation to the Dance), op.65 J260 (12)
Bassoon Concerto in F major, op.75 J127 (11)
Clarinet Concertino in E flat major, op.26 J109 (18)
Clarinet Concerto no.1 in F minor, op.73 J114 (30)
Clarinet Quintet in B flat major, op.34 J182 (arr. string orchestra) (1)
Clarinet Quintet in B flat major, op.34 J182 (20)
Der Beherrscher der Geister (The ruler of the spirits), op.27 J122 (13)
Der Freischutz, J277 (arr. for Wind Instruments by Wenzel Sedlak) (1)
Der Freischutz, J277 (excerpts) (4)
Der Freischutz, J277 (99)
Die Drei Pintos, JAnh5 (completed G Mahler) (4)
Die Temperamente beim Verluste der Geliebten, op.46 (3)
Die Zeit, J97 op.13 no.5 (1)
Euryanthe, J291 (excerpts) (1)
Euryanthe, J291 (44)
Flute Sonatas (6), op.10 (3)
Freischutz March (1)
Grand Duo concertant for clarinet and piano, op.48 J204 (arr. K Seo for flute and piano) (1)
Grand Duo concertant for clarinet and piano, op.48 J204 (20)
Grande Polonaise in E flat major, op.21 J59 (1)
Horn Concertino in E minor, op.45 J188 (4)
Hunter's Bride (Adaptation of Der Freischutz) (1)
Introduction, Theme and Variations, op.posth (2)
Invitation to the Dance (Aufforderung zum Tanze), J260 (arr. Henselt) (2)
Invitation to the Dance (Aufforderung zum Tanze), J260 (arr. Tausig) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (orch. Berlioz) (14)
Invitation to the Dance (Aufforderung zum Tanze), J260 (orch. Berlioz/Stokowski) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (piano) (5)
Invitation to the Dance (Aufforderung zum Tanze), J260 (20)
Jubel-Ouverture (Jubilee Overture), op.59 J245 (9)
Konzertstuck in F minor, op.79 J282 (28)
Leise weht es, J223 (1)
Lieder (4), op.41 (1)
Lieder (5), op.13 (3)
Lieder (6), op.15 (2)
Lieder (6), op.30 (2)
Lieder (6), op.71 (1)
Lieder (Canzonetti) (3), op.29 (2)
Lutzows wilde Jagd, J168, op.42 no.2 (1)
Marcia (1)
Mass no.1 'Freischutzmesse' (2)
Mass no.2 in G major, op.76 'Jubelmesse' (1)
Max-Walzer (2)
Mayenblumlein, so schon, op.23 no.3, J117 (1)
Momento capriccioso, op.12 J56 (arr. Leopold Godowsky) (1)
Momento capriccioso, op.12 J56 (2)
O Berlin, ich muss dich lassen, op.54 J208 (1)
Oberon, J306 (excerpts) (1)
Oberon, J306 (64)
Piano Concerto no.1 in C major, op.11 J98 (6)
Piano Quartet in B flat major, J76 (1)
Piano Sonata no.1 in C major, op.24 J138 (21)
Piano Sonata no.2 in A flat major, op.39 J199 (10)
Piano Sonata no.3 in D minor, op.49 J206 (9)
Piano Sonata no.4 in E minor, op.70 J287 (arr. Wolfgang Renz as Septet) (2)
Piano Sonata no.4 in E minor, op.70 J287 (6)
Pieces (6) for piano duet, op.10a (1)
Pieces (8) for piano four hands, op.60 (1)
Polacca brillante in E major, op.72 J268 'L'hilarite' (orch. Liszt) (1)
Polacca brillante in E major, op.72 J268 'L'hilarite' (2)
Preciosa, J279 (11)
Romance (4)
Romanze: 'Ein Konig einst gefangen sass', J195 (1)
Romanze appassionata (1)
Rondo brillante, op.62 J252 (13)
Rondo in D Major (1)
Sagt, woher stammt Liebeslust, J280 (1)
Schottische Nationalgesange (10) (1)
Serenade, J265 (2)
Sextet for 2 clarinets, 2 horns and 2 bassoons (1)
Silvana, J87 (6)
Symphony no.1 in C major, op.19 J50 (11)
Symphony no.2 in C major, J51 (10)
Trio for flute, cello and piano in G minor, op.63 J259 (13)
Turandot, J75 (7)
Variations (7) on the Aria 'Vien'qua dorina bella', op.7 J53 (1)
Variations on a theme from 'Silvana', op.33 (arr. R Schottstadt) (1)
Variations on a theme from 'Silvana', op.33 (10)
Violin Sonatas (6), op.10 (7)
Volkslieder (7), op.54 (1)
Volkslieder (8), op.64 (2)
Weine, weine, weine nur nicht, J231 (1)

Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school.
Weber's orchestration has also been highly praised and emulated by later generations of composers – Berlioz referred to him several times in his Treatise on Instrumentation while Debussy remarked that the sound of the Weber orchestra was obtained through the scrutiny of the soul of each instrument.
His operas influenced the work of later opera composers, especially in Germany, such as Marschner, Meyerbeer and Wagner, as well as several nationalist 19th-century composers such as Glinka. Homage has been paid to Weber by 20th-century composers such as Debussy, Stravinsky, Mahler (who completed Weber's unfinished comic opera Die drei Pintos and made revisions of Euryanthe and Oberon) and Hindemith (composer of the popular Symphonic Metamorphosis of Themes by Carl Maria von Weber).
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