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Henryk Wieniawski

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Allegro de Sonate, op.2 (Jozef Wieniawski) (1)
Cadenza for Beethoven's Violin Concerto, op.61 (1st movement) (2)
Capriccio-Valse in E major, op.7 (7)
Caprice in A minor (arr. Kreisler) (1)
Caprice in E flat major (arr. Kreisler) (3)
Etudes-caprices (8), op.18 (14)
Fantaisie Orientale, op.24 (1)
Fantasie brillante on themes from Gounod's Faust, op.20 (12)
Gigue in E minor, op.23 (1)
Grand Duo Polonaise, op.8 (1)
Kujawiak (2)
L'Ecole moderne, op.10 (3)
La Carnaval russe, op.11 (1)
Legende in G minor, op.17 (arr. T Radziwonowicz) (1)
Legende in G minor, op.17 (orch. Wang Chenwei) (1)
Legende in G minor, op.17 (19)
Mazurka 'Kujawiak' (1)
Mazurka in A minor, op.3 no.2 'Kujawiak' (3)
Mazurkas (2), op.12 (3)
Mazurkas (2), op.19 (13)
Polonaise brillante no.1 in D major, op.4 (arr. for piano) (1)
Polonaise brillante no.1 in D major, op.4 (31)
Polonaise brillante no.2 in A major, op.21 (8)
Reverie (4)
Romance sans paroles in D minor, op.9 (1)
Saltarella (1)
Scherzo tarantelle, op.16 (arr. for cello) (1)
Scherzo tarantelle, op.16 (24)
Souvenir de Moscou, op.6 (3)
Souvenir de Posen, op.3 (2)
Variations on an Original Theme, op.15 (8)
Violin Concerto no.1 in F sharp minor, op.14 (7)
Violin Concerto no.2 in D minor, op.22 (34)

Henryk Wieniawski (10 July 1835 – 31 March 1880) was a Polish violinist and composer.

Henryk Wieniawski was considered a violinist of great ability and wrote some very important works in the violin repertoire, including two technically demanding violin concertos, the second of which (in D minor, 1862) is more often performed than the first (in F-sharp minor, 1853). His L'École moderne: 10 Études-caprices is a very well known work for aspiring violinists. His Scherzo-Tarantelle, Op.16 and Légende, Op.17 are also frequently performed works. He also wrote two popular mazurkas for solo violin and piano accompaniment (the second one, Obertas, in G major), using techniques such as left-hand pizzicato, harmonics, large leaps, and many double stops.

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