Berg - Wozzeck (Blu-ray) | Accentus ACC10363

Berg - Wozzeck (Blu-ray)


Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch

Label: Accentus

Cat No: ACC10363

Format: Blu-ray

Number of Discs: 1

Genre: Opera

Release Date: 2nd September 2016



Gun‐Brit Barkmin
Christian Gerhaher
Chor der Oper Zurich
Philharmonia Zurich


Fabio Luisi


Berg, Alban



Gun‐Brit Barkmin
Christian Gerhaher
Chor der Oper Zurich
Philharmonia Zurich


Fabio Luisi


The soldier Wozzeck flits through a world that he is unable to decipher. The Doctor torments him with absurd medical experiments; the Captain humiliates and ridicules him. And Wozzeck’s lover, Marie, with whom he has a child, cuckolds him with the Drum Major. Wozzeck becomes a murderer, stabbing Marie to death.

Georg Büchner’s drama fragment, on which Alban Berg based his first opera, is an unflinching case study of social injustice and human suffering. But it is also a grotesque piece that thrives on exaggeration – and in which only a fine line separates the unfathomable from the ridiculous. Accordingly, director Andreas Homoki forgoes all realism. His nightmarishly radical production is inspired by puppet theatre. Christian Gerhaher’s role début as Wozzeck can only be described as sensational: his capacity for vocal and dramatic subtlety is simply breath‐taking. At the rostrum of the Philharmonia Zurich, Fabio Luisi explores both the expressionistic and the more intimate aspects, reminiscent of chamber music, in Berg’s seminal score.

- Wozzeck: Christian Gerhaher
- Drum Major: Brandon Jovanovich
- Andres: Mauro Peter
- Captain: Wolfgang Ablinger-Sperrhacke
- Doctor: Lars Woldt
- Marie: Gun-Brit Barkmin

Picture Format: NTSC 16:9, Full HD
Sound Formats: DTS HD Master Audio, PCM Stereo
Region Code: 0 (worldwide)
Running Time: 100:58 min
Disc Format: BD 25
Subtitles: German (original), French, English, Japanese, Korean


This is a finely honed production that follows its premise to an absurdist conclusion with slick theatricality and dispassionate zeal. The children in the final scene are all sinister doll-like versions of the adult characters. ... All sentimentalism is banished here. So, largely, is the opera’s plea for justice and compassion. It is left to Christian Gerhaher’s Wozzeck to fight that battle, which he does with formidable diction and great lyrical beauty, offering, where he can, a still centre in the tumult. ... The orchestra, rapier-sharp and cutting to the quick, offer much more than Swiss precision.  Neil Fisher
Gramophone November 2016
Gramophone Award Winner Gramophone Editor's Choice

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