Mozart - Die Entfuhrung aus dem Serail
£23.87
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock. It is based on the assumption that you are ordering one copy - if you order multiple copies of the same item, the quoted leadtime may not apply.
If ordering multiple different items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
New Item
Label: Alpha
Cat No: ALPHA242
Barcode: 3760014192425
Format: CD
Number of Discs: 2
Genre: Opera
Release Date: 24th June 2016
FREE UK SHIPPING OVER £35!
The cast is pretty appealing (David Portillo as Pedrillo, Norman Reinhardt as Belmonte, Rachele Gilmore as Blonde, Jane Archibald as a radiant Konstanze) and attacks ensembles with vigour and arias with the kind of breezy elegance that makes easy work of fiendish stuff. But with two other major versions of Entführung out last year from René Jacobs and Yannick Nézet-Séguin, what the young conductor Jérémie Rhorer really offers is a whole lot of orchestral charisma: an overture full of bounce and clatter, pacey tempos that fizz but also breathe, textures that are bright and fibrous, a delivery that is happily slapdash without getting messy.
Although performances of Mozart's 1783 Singspiel these days are outnumbered by those of his opere serie, ldomeneo and La Clemenza di Tito, this is the third recording I've been sent in 12 months. Unlike Rene Jacobs's Berlin studio recording for Harmonia Mundi or Yannick Nezet-Seguin's "patched" live version from Baden-Baden (DG), this is a straight concert performance from a radio broadcast. The downside is a demonstrative audience, but Rohrer's way with the music is so invigorating — like Jacobs, he uses period instruments, which highlight Mozart's "Turkish" orchestration — that there are compensations aplenty. His cast mostly equals or even surpasses the rival sets: Norman Reinhardt's plangent lyrical Belmonte is more of a stylist than DG's Rolando Villazon, while Jane Archibald's tone falls more easily on the ear than Diana Damrau's (DG). Mishca Shelomianski is a ripely humorous Osmin equal to the role's technical demands, and David Portillo a fearless Pedrillo. Only Rachele Gilmore's foggy diction as Blonde lets the side down, but the set sparkles.