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John Milton / Martin Peerson - Sublime Discourses (Complete Instrumental Music)

£12.69

Usually available for despatch within 3-5 working days

Label: Regent Records

Cat No: REGCD341

Barcode: 0802561034124

Format: CD

Number of Discs: 1

Release Date: 28th November 2011

Works

Peerson
Fantasia Acquaintance (G minor) a 6 (P III/2)

Peerson
Almaine (G minor) a 6 (P III/U3)

Peerson
Fantasia Beauty (G major) a 6 (P III/4)

Peerson
Almaine (G major) a 6 (P III/5)

Peerson
Piper’s Pavan (P VI/2)

Peerson
Fantasia Chowse (D major and minor) a 6 (P III/6)

Peerson
Almaine (G major) a 6 (P III/7)

Peerson
Fantasia Delicate (D minor) a 6 (P III/8)

Peerson
Almaine (G major) a 6 (P III/9)

Peerson
Alman (P VI/1)

Peerson
Fantasia (D minor) a 6 (P III/10)

Peerson
Almaine (D major) a 6 (P III/11)

Peerson
Fantasia Attendite a 5 (P III/1)

Peerson
Fantasia (G major) a 6 (P III/12)

Peerson
Almaine (G major) a 6 (P III/13)

Peerson
Almaine (G major) a 6 (P III/14)

Peerson
The Fall of the Leafe (P VI/3)

Peerson
The Primerose (P VI/4)

Peerson
Fantasia (D minor) a 6 (P III/15)

Milton
Fantazia 1 (G minor) a 5 (M 16)

Milton
Fantazia 3 (G major) a 5 (M 18)

Milton
Fantazia 2 (A minor) a 5 (M 17)

Milton
In Nomine, If that a sinner’s sighs (M 15)

Milton
Fantazia 4 (D minor) a 5 (M 19)

Milton
Fantazia 5 (A minor) a 6 (M 20)

Artists

Michael Chance (countertenor)
Sophie Yates (virginals)
Fretwork

Works

Artists

Michael Chance (countertenor)
Sophie Yates (virginals)
Fretwork

About

A major new release from 2009 Gramophone Award-winning artists Fretwork, with additional contributions from Michael Chance and Sophie Yates.

This is the first recording of the complete instrumental music of two unjustly neglected 17th century English composers, Martin Peerson and John Milton (father of the poet). It includes all the works for viol consort, all the solo keyboard works and the single song with viol consort accompaniment. 23 of the 25 items are new to the catalogue.

A significant and invaluable contribution to the discography of 17th century English music in incomparable performances from some of the world’s finest artists in this field, sadly this was one of the final recordings that founder Richard Campbell made with Fretwork before his death in March 2011.