
Earle Brown - Selected Works
£11.25
Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
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Label: New World Records
Cat No: 806502
Format: CD
Number of Discs: 1
Release Date: 16th October 2006
Contents
Works
Earle BrownTimes Five; Nine Rare Bits (1965); Octet I, for Eight Loudspeakers (1953); December (1952); Novara (1962); Music for Violin, Cello & Piano (1952); From Folio: November 1952, December 1952, Four Systems; Music for Cello & Piano (1954-55)
Artists
Govert Jurriaanse (flute)Arthur Moore (trombone)
Teresia Tieu (harp)
Jaring Walta (violin)
Harro Ruijsenaars (cello)
Ton Hartsuiker (piano)
John Floore (trumpet)
Harry Sparnaay (bass Clarinet)
Roelof Van Driesten (violin)
Gerrit Oldeman (viola)
Matthew Raimondi (violin)
David Soyer (cello)
David Tudor (piano)
Michael Daugherty (piano/computer/electronics)
Dorothea von Albrecht (cello)
Christine Olbrich (piano)
Antoinette Vischer (harpsichord)
George Gruntz (harpsichord)
Conductor
Earle BrownWorks
Earle BrownTimes Five; Nine Rare Bits (1965); Octet I, for Eight Loudspeakers (1953); December (1952); Novara (1962); Music for Violin, Cello & Piano (1952); From Folio: November 1952, December 1952, Four Systems; Music for Cello & Piano (1954-55)
Artists
Govert Jurriaanse (flute)Arthur Moore (trombone)
Teresia Tieu (harp)
Jaring Walta (violin)
Harro Ruijsenaars (cello)
Ton Hartsuiker (piano)
John Floore (trumpet)
Harry Sparnaay (bass Clarinet)
Roelof Van Driesten (violin)
Gerrit Oldeman (viola)
Matthew Raimondi (violin)
David Soyer (cello)
David Tudor (piano)
Michael Daugherty (piano/computer/electronics)
Dorothea von Albrecht (cello)
Christine Olbrich (piano)
Antoinette Vischer (harpsichord)
George Gruntz (harpsichord)
Conductor
Earle BrownAbout
Music for Violin, Cello and Piano is a very early (1952) twelve-tone serial piece in very strictly metric notation. It uses Schillinger-suggested “serial” techniques, very similar to Messiaen, as it turned out. In contrast, Music for Cello and Piano is a completely subjectively composed work, in what I called “time notation” (contrary to metric”) which is now referred to as “Proportional Notation.”
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