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Lampe - The Dragon of Wantley | Resonus Classics RES10304

Lampe - The Dragon of Wantley

£18.15

In stock - available for despatch within 1 working day

Label: Resonus Classics

Cat No: RES10304

Barcode: 5060262793350

Format: CD

Number of Discs: 2

Genre: Opera

Release Date: 15th July 2022

Gramophone Editor's Choice BBC Music Magazine Award Winner

Contents

Artists

Mary Bevan (soprano)
Catherine Carby (mezzo-soprano)
Mark Wilde (tenor)
John Savournin (bass-baritone)
The Brook Street Band

Conductor

John Andrews

Works

Lampe, John Frederick

The Dragon of Wantley

Artists

Mary Bevan (soprano)
Catherine Carby (mezzo-soprano)
Mark Wilde (tenor)
John Savournin (bass-baritone)
The Brook Street Band

Conductor

John Andrews

About

Following the BBC Music Magazine Opera Award for his recording of Malcolm Arnold’s The Dancing Master, conductor John Andrews returns with the world-premiere professional recording of John Frederick Lampe’s operatic comedy The Dragon of Wantley.

With librettist Henry Carey, Lampe combines a first-rate score with a quintessentially English plot, told in a tone of earthy satire, pastiching opera’s conventions with skill and affection, but also a razor wit.

A rapacious dragon has been terrorising a Yorkshire village. Gubbins and his daughter Margery, together with Mauxalinda decide to seek the help of Moore of Moore Hall. Moore needs persuading away from his beer but succumbs to Margery’s pleading, and her promises of love. Unfortunately, he had already promised to marry Mauxalinda and so the love triangle has to be resolved in dramatic fashion before Moore heads out and defeats the dragon, restoring harmony and prosperity to the village.

Reviews

What a surprise! This comic opera, popular in its day, has been languishing as a passing reference in the history books. Now it has been brought to life in this excellent performance by The Brook Street Band under John Andrews. ... The humour lies in the disparity between the Italianate music by John Frederick Lampe, a German who made his home in England, and the deliberately awful libretto by Henry Carey... The orchestration is splendid: trumpets and horns in the choruses (which are sung by the soloists), and the horns get some melodic work in the ‘First Tune’ too.  Richard Lawrence
Gramophone October 2022

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