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Godowsky - Piano Music Vol.14: 53 Studies on the Chopin Etudes Vol.1 | Marco Polo 8225372

Godowsky - Piano Music Vol.14: 53 Studies on the Chopin Etudes Vol.1

£12.83

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Label: Marco Polo

Cat No: 8225372

Barcode: 0636943537220

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 14th February 2020

Contents

Works

Godowsky, Leopold

Studies (53) on Chopin's Etudes
» no.1 in C major
» no.4 in A minor 'Ignis fatuus'
» no.5 in D flat major
» no.6 in C sharp minor
» no.7 in G flat major
» no.13 in E flat minor
» no.14 in C major 'Toccata'
» no.16 in F major
» no.17 in C sharp minor
» no.20 in A flat major
» no.21 in A major
» no.22 in C sharp minor
» no.25 in A flat major
» no.27 in F minor 'Waltz'
» no.29 in F major
» no.32 in F minor 'Polonaise'
» no.34 in C sharp minor 'Mazurka'
» no.36 in G sharp minor 'Study in Thirds'
» no.38 in D flat major 'Study in Sixths'
» no.39 in G flat major
» no.41 in B minor
» no.42 in A minor
» no.43 in C sharp minor
» no.44 in F minor
» no.45 in E major

Artists

Konstantin Scherbakov (piano)

Works

Godowsky, Leopold

Studies (53) on Chopin's Etudes
» no.1 in C major
» no.4 in A minor 'Ignis fatuus'
» no.5 in D flat major
» no.6 in C sharp minor
» no.7 in G flat major
» no.13 in E flat minor
» no.14 in C major 'Toccata'
» no.16 in F major
» no.17 in C sharp minor
» no.20 in A flat major
» no.21 in A major
» no.22 in C sharp minor
» no.25 in A flat major
» no.27 in F minor 'Waltz'
» no.29 in F major
» no.32 in F minor 'Polonaise'
» no.34 in C sharp minor 'Mazurka'
» no.36 in G sharp minor 'Study in Thirds'
» no.38 in D flat major 'Study in Sixths'
» no.39 in G flat major
» no.41 in B minor
» no.42 in A minor
» no.43 in C sharp minor
» no.44 in F minor
» no.45 in E major

Artists

Konstantin Scherbakov (piano)

About

Leopold Godowsky wrote his first Studies on the Chopin Études when he was barely 23 years old, and the complete cycle took some 20 years to finish. It remains one of the most extraordinary and technically demanding of all such works. It offered Godowsky – one of the greatest virtuosi of his age, but a haphazard teacher – an opportunity to resolve his innovative theories of keyboard technique. His exploration of developing the left hand in these studies remains revolutionary, and his ambition of ‘furthering the art of pianoforte playing’, triumphantly vindicated.

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