This recording is the first of a series of discs of Haydn Sonatas Paul Lewis will be recording for harmonia mundi matching his recital touring programme for the coming years, following his previous immersions in Beethoven and then in Schubert.

Paul Lewis is internationally regarded as one of the leading musicians of his generation. His cycles of core piano works by Beethoven and Schubert have received unanimous critical and public acclaim worldwide, and consolidated his reputation as one of the world’s foremost interpreters of the central European classical repertoire. His numerous awards have included the Royal Philharmonic Society’s Instrumentalist of the Year, two Edison awards, three Gramophone awards, the Diapason D’or de l’Annee, the Preis der Deutschen Schallplattenkritik, the Premio Internazionale Accademia Musicale Chigiana, and the South Bank Show Classical Music award. He holds honorary degrees from Liverpool, Edge Hill, and Southampton Universities, and was appointed Commander of the Order of the British Empire (CBE) in the 2016 Queen’s Birthday Honours.

His multi-award winning discography for Harmonia Mundi includes the complete Beethoven piano sonatas, concertos, and the Diabelli Variations, Liszt’s B minor sonata and other late works, all of Schubert’s major piano works from the last six years of his life including the three song cycles with tenor Mark Padmore, solo works by Schumann and Mussorgsky, and the Brahms D minor Piano Concerto with the Swedish Radio Symphony Orchestra and Daniel Harding.

Paul Lewis studied with Joan Havill at the Guildhall School of Music and Drama in London before going on to study privately with Alfred Brendel. He is co-Artistic Director of Midsummer Music, an annual chamber music festival held in Buckinghamshire, UK, and the Leeds International Piano Competition.

"There are many prized recordings of the Beethoven sonatas from past masters and current artists. But if I had to
recommend a single complete set, I would suggest Mr. Lewis’s distinguished recordings." - Anthony Tommasini, New
York Times

"One of the most highly prized recording marathons of recent years.... An unmissable benchmark." - Gramophone