FREE UK SHIPPING OVER £30!

Chopin - Piano Works

£12.69

In stock - available for despatch within 1 working day

Label: BIS

Cat No: BISSACD1838

Barcode: 7318599918389

Format: Hybrid SACD

Number of Discs: 1

Genre: Instrumental

Release Date: 31st October 2011

Works

Chopin, Frederic

Ballades (4)

» no.3 in A flat major, op.47

» no.4 in F minor, op.52

Fantasy in F minor, op.49
Mazurkas (51)

» no.7 in F minor, op.7 no.3

» no.17 in B flat minor, op.24 no.4

» no.23 in D major, op.33 no.2

» no.25 in B minor, op.33 no.4

» no.32 in C sharp minor, op.50 no.3

Nocturnes (21)

» no.7 in C sharp minor, op.27 no.1

» no.13 in C minor, op.48 no.1

» no.16 in E flat major, op.55 no.2

Sudbin, Yevgeny

A la minute (a paraphrase on Chopin's Waltz in D flat major, op.64 no.1)

Artists

Yevgeny Sudbin (piano)

Works

Chopin, Frederic

Ballades (4)

» no.3 in A flat major, op.47

» no.4 in F minor, op.52

Fantasy in F minor, op.49
Mazurkas (51)

» no.7 in F minor, op.7 no.3

» no.17 in B flat minor, op.24 no.4

» no.23 in D major, op.33 no.2

» no.25 in B minor, op.33 no.4

» no.32 in C sharp minor, op.50 no.3

Nocturnes (21)

» no.7 in C sharp minor, op.27 no.1

» no.13 in C minor, op.48 no.1

» no.16 in E flat major, op.55 no.2

Sudbin, Yevgeny

A la minute (a paraphrase on Chopin's Waltz in D flat major, op.64 no.1)

Artists

Yevgeny Sudbin (piano)

About

Critically acclaimed pianist Yevgeny Sudbin here presents a recital of music from Frederic Chopin.

Sudbin opens this disc with the expansive Fantaisie in F minor, sometimes described as the composer's 'grandest work', and continues with a selection of pieces from three genres that are strongly associated with Chopin: Mazurkas, Nocturnes and the Ballades Nos 3 and 4.

Sudbin’s approach to Chopin’s music has been influenced by the composer’s own words regarding interpretation: 'Simplicity is the highest goal, achievable when you have overcome all difficulties.'

In his own paraphrase of the composer’s Minute Waltz, entitled À la minute, Sudbin displays all of his skills that led Piano Magazine to describe him as 'a fearless technician with an all-encompassing command of his instrument; a musical dramatist of exceptional acumen and sophistication; a poet who moves seamlessly between unbridled rhetoric and extreme intimacy; a stylist who catches the particular spirit of everything he plays'.