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R Strauss - Complete Songs Vol.5 | Hyperion CDA67746

R Strauss - Complete Songs Vol.5

£13.60

In stock - available for despatch within 1 working day

Label: Hyperion

Cat No: CDA67746

Barcode: 0034571177465

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 26th September 2011

Contents

Works

R Strauss
Madchenblumen Op.22

R Strauss
Fruhlingsgedrange Op.26 No.1

R Strauss
Morgen! Op.27 No.4

R Strauss
Hat gesagt - bleibt’s nicht dabei Op.36 No.3

R Strauss
Meinem Kinde Op.37 No.3

R Strauss
Mein Auge Op.37 No.4

R Strauss
Herr Lenz Op.37 No.5

R Strauss
Junghexenlied Op.39 No.2

R Strauss
Muttertandelei Op.43 No.2

R Strauss
Einkehr Op.47 No.4

R Strauss
Ich schwebe Op.48 No.2

R Strauss
Kling! Op.48 No.3

R Strauss
Sechs Lieder Op.68

Artists

Kiera Duffy (soprano)
Roger Vignoles (piano)

Works

R Strauss
Madchenblumen Op.22

R Strauss
Fruhlingsgedrange Op.26 No.1

R Strauss
Morgen! Op.27 No.4

R Strauss
Hat gesagt - bleibt’s nicht dabei Op.36 No.3

R Strauss
Meinem Kinde Op.37 No.3

R Strauss
Mein Auge Op.37 No.4

R Strauss
Herr Lenz Op.37 No.5

R Strauss
Junghexenlied Op.39 No.2

R Strauss
Muttertandelei Op.43 No.2

R Strauss
Einkehr Op.47 No.4

R Strauss
Ich schwebe Op.48 No.2

R Strauss
Kling! Op.48 No.3

R Strauss
Sechs Lieder Op.68

Artists

Kiera Duffy (soprano)
Roger Vignoles (piano)

About

A further instalment in this major Hyperion project introduces the American soprano Kiera Duffy, whose performances in the concert hall and on the opera stage have received the highest praise.

This series, skilfully masterminded by the accompanist Roger Vignoles, is carefully shaped around the talents of each singer and strives to serve the cause of both neglected treasures and essential Strauss masterworks. The majority of the music in this beautifully shaped recital was composed between 1888 and 1900, with the exception of the glorious and virtuosic Op.68 Brentano-Lieder, which owes its richness and fluency to the composer’s experience of opera composition.

Duffy gives an impeccable performance, revealing a deep understanding of the complexity of the music, and tackles the final expansive Lied der Frauen with unwavering stamina and faultless intonation.

Perceptive booklet notes from Vignoles, and full texts and translations are also included.

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