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Respighi - La Sensitiva, Liriche da camera | Stradivarius STR33855

Respighi - La Sensitiva, Liriche da camera

£14.51

Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch

Label: Stradivarius

Cat No: STR33855

Barcode: 8011570338556

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 23rd August 2010

Contents

Works

Respighi
Nebbie

Respighi
Nevicata

Respighi
Lagrime

Respighi
Storia breve

Respighi
Invito alla danza

Respighi
Miranda

Respighi
Notturno

Respighi
Luce Contrasto

Respighi
La sensitiva

J S Bach/Respighi
Passione secondo Matteo: Pieta ti prenda mi Dio

Artists

Sara Mingardo (contralto)
Aldo Orvieto (piano)
Carlo Lazari (violin)

Works

Respighi
Nebbie

Respighi
Nevicata

Respighi
Lagrime

Respighi
Storia breve

Respighi
Invito alla danza

Respighi
Miranda

Respighi
Notturno

Respighi
Luce Contrasto

Respighi
La sensitiva

J S Bach/Respighi
Passione secondo Matteo: Pieta ti prenda mi Dio

Artists

Sara Mingardo (contralto)
Aldo Orvieto (piano)
Carlo Lazari (violin)

About

Sara Mingardo is that rare bird, the true contralto. In 2010 she won the prestigious Premio Abbiati as best Italian singer.

Here she interprets works by Respighi that date from 1869 and 1914, and as such are often underestimated by critics and audiences as pieces that anticipate Respighi’s successful creative period. The first nine pieces are very short, with lyrics by Ada Negri and Carlo Zangarini. In addition, ‘Pietà ti prenda, mio Dio’ is a transcription for voice, violin and piano from St Matthew Passion, a paraphrase of Psalm 51.

Sara Mingardo studied in her home town of Venice at the Academy Benedetto Marcello and first came to prominence by winning the Giulietta Simionato Prize at the 23rd Vienna Competition and the first prize at the Competition Toti dal Monte in 1987. Today Sara is an established figure in concert halls and opera houses, in repertoire from Vivaldi to Britten.

Sara Mingardo is a shining exception, and the Venetian demonstrates with every performance the contralto beauties that the musical world is missing. Her voice is velvety smooth and beguilingly sensual, and she has a technique capable of tackling the most florid Baroque arias with grace.” - The Times

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