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Romantic Violin Concerto Vol.8: Vieuxtemps

£13.60

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Label: Hyperion - Romantic Violin Concertos

Cat No: CDA67798

Barcode: 0034571177984

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 26th April 2010

Works

Vieuxtemps, Henri

Fantasia appassionata, op.35
Violin Concerto no.4 in D minor, op.31
Violin Concerto no.5 in A minor, op.37

Artists

Viviane Hagner (violin)
Royal Flemish Philharmonic Orchestra

Conductor

Martyn Brabbins

Works

Vieuxtemps, Henri

Fantasia appassionata, op.35
Violin Concerto no.4 in D minor, op.31
Violin Concerto no.5 in A minor, op.37

Artists

Viviane Hagner (violin)
Royal Flemish Philharmonic Orchestra

Conductor

Martyn Brabbins

About

Hyperion’s Romantic Violin Concerto series reaches volume 8 and the music of the Belgian composer Henry Vieuxtemps, himself widely considered the finest violinist in Europe after the death of Paganini. Listening to the repertoire recorded here, he certainly deserves to be ranked among the most important composers for the violin in the mid-nineteenth century. Vieuxtemps never indulged in sheer virtuosity for its own sake. Instead, in his concertos and chamber works he brought a more classical dimension to the violin repertoire, in place of the technically brilliant variations and fantasies on popular operatic themes that were so popular with audiences.

The Violin Concerto No.4 in D minor Op.31 which Vieuxtemps composed while he was court violinist in St Petersburg, is an heroic work on a substantial scale. It was described by Berlioz - who was perhaps comparing it with his own Harold in Italy for viola and orchestra - as a symphony with violin solo. In fact Vieuxtemps’s writing for the orchestra is as assured and resourceful, and sometimes as imaginative, as his treatment of the violin, though there is no doubt that the solo instrument remains the leading actor in the drama, reaching heights of stratospheric virtuosity throughout.

Violin Concerto No.5 in A minor Op.37 was written a few years later, in 1858–9, at the request of his friend Hubert Léonard, as the test-piece for a competition at the Brussels Conservatory. The work was, therefore, expressly designed to test the capabilities of (very advanced) student players, but it has maintained itself in the repertoire on its own merits and probably surpasses the Fourth Concerto in popularity.

Fantasia appassionata Op.35 was probably written shortly after the Fifth Violin Concerto, in 1860. Unlike the concertos, this is more frankly a vehicle for transcendental technical display, but expertly cast in a single movement of several effectively contrasted sections that achieves a balanced form as well as the exhibition of the player’s prowess.

The young virtuoso Viviane Hagner, a former BBC New Generation artist, acclaimed for her highly intelligent musicality and passionate artistry, appears in her Hyperion debut.