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Masters of the Piano Roll Vol.8: Artur Rubinstein | Dal Segno DSPRCD024

Masters of the Piano Roll Vol.8: Artur Rubinstein

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Label: Dal Segno

Cat No: DSPRCD024

Barcode: 5060104470272

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 14th April 2008

Contents

Works

Albeniz, Isaac

Iberia, Book 1
» I Evocacion
Iberia, Book 3
» I El Albaicin

Brahms, Johannes

Klavierstucke (8), op.76
» no.2 Capriccio in B minor
Rhapsodies (2), op.79
» no.1 in B minor

Chopin, Frederic

Barcarolle in F sharp major, op.60
Nocturnes (21)
» no.5 in F sharp major, op.15 no.2
Polonaise no.5 in F sharp minor, op.44
Preludes (24), op.28
» no.1 in C major
» no.4 in E minor
» no.10 in C sharp minor
» no.21 in B flat major
» no.24 in D minor

Debussy, Claude

L'Isle joyeuse
La Plus que lente, L121

Falla, Manuel de

El amor brujo
» Ritual Fire Dance

Prokofiev, Sergei

Pieces for Piano (4), op.4
» no.4 Suggestion diabolique

Rimsky-Korsakov, Nikolai

The Golden Cockerel (Le Coq d'Or)
» Hymn to the sun

Artists

Artur Rubinstein (piano)

Works

Albeniz, Isaac

Iberia, Book 1
» I Evocacion
Iberia, Book 3
» I El Albaicin

Brahms, Johannes

Klavierstucke (8), op.76
» no.2 Capriccio in B minor
Rhapsodies (2), op.79
» no.1 in B minor

Chopin, Frederic

Barcarolle in F sharp major, op.60
Nocturnes (21)
» no.5 in F sharp major, op.15 no.2
Polonaise no.5 in F sharp minor, op.44
Preludes (24), op.28
» no.1 in C major
» no.4 in E minor
» no.10 in C sharp minor
» no.21 in B flat major
» no.24 in D minor

Debussy, Claude

L'Isle joyeuse
La Plus que lente, L121

Falla, Manuel de

El amor brujo
» Ritual Fire Dance

Prokofiev, Sergei

Pieces for Piano (4), op.4
» no.4 Suggestion diabolique

Rimsky-Korsakov, Nikolai

The Golden Cockerel (Le Coq d'Or)
» Hymn to the sun

Artists

Artur Rubinstein (piano)

About

Volume 8 of this series is of the great Arthur Rubinstein playing various works by Chopin, Brahms and Debussy.

These recordings were made in 1992 from the original piano rolls and were recorded on a brand new Yamaha Concert Grand under Denis Condon’s supervision. They are not historical recordings.

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