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Trevor Barnard: A Piano Odyssey                          | Divine Art DDV24125

Trevor Barnard: A Piano Odyssey

£9.56

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Label: Divine Art

Cat No: DDV24125

Barcode: 0809730412523

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 28th January 2008

Contents

Works

J S Bach
Two Part Invention No. 1 in C major, BWV 772

Schubert
Moment Musical in F minor, D.780 no. 3

Beethoven
Bagatelle in A flat major, op. 33 no. 7

Mendelssohn
Lied ohne Worte in E major, op. 19 no. 1

Schumann
Arabesque, op. 18

Chopin
Fantaisie-impromptu in C sharp minor, op. 66

Chopin
Polonaise in A major, op. 40 no. 1

Grieg
‘Little Bird’ - from Lyric Pieces, op. 43

Grieg
‘Erotikon’ - from Lyric Pieces, op. 43

Rachmaninov
Prelude in C sharp minor, op. 3 no. 2

Debussy
The Snow is Dancing’ - from Children’s Corner

Albeniz
Tango - No. 2 from España, op. 165

Bartok
In Dorian Mode - from Volume 1, Mikrokosmos

Bartok
Dance in Bulgarian Rhythm No. 6 from Vol. 6, Mikrokosmos

Gershwin
Prelude No. 2

Sutherland
Chorale Prelude: “Herzliebster Jesu” (1935)

Sutherland
Chorale Prelude: “Jesu, Meine Freude” (1935)

Sculthorpe
Sonatina (1954)

Butterley
Arioso (1960)

Butterley
Comment on a Popular Song (1960)

Bertram
‘Kinetic’ - No. 3 from Five Pieces (1984)

Dargaville
Night Song (1997)

Werder
‘Spring’ - No. 2 from William Blake’s Songs of Innocence and Experience (1985)

Artists

Trevor Barnard

Works

J S Bach
Two Part Invention No. 1 in C major, BWV 772

Schubert
Moment Musical in F minor, D.780 no. 3

Beethoven
Bagatelle in A flat major, op. 33 no. 7

Mendelssohn
Lied ohne Worte in E major, op. 19 no. 1

Schumann
Arabesque, op. 18

Chopin
Fantaisie-impromptu in C sharp minor, op. 66

Chopin
Polonaise in A major, op. 40 no. 1

Grieg
‘Little Bird’ - from Lyric Pieces, op. 43

Grieg
‘Erotikon’ - from Lyric Pieces, op. 43

Rachmaninov
Prelude in C sharp minor, op. 3 no. 2

Debussy
The Snow is Dancing’ - from Children’s Corner

Albeniz
Tango - No. 2 from España, op. 165

Bartok
In Dorian Mode - from Volume 1, Mikrokosmos

Bartok
Dance in Bulgarian Rhythm No. 6 from Vol. 6, Mikrokosmos

Gershwin
Prelude No. 2

Sutherland
Chorale Prelude: “Herzliebster Jesu” (1935)

Sutherland
Chorale Prelude: “Jesu, Meine Freude” (1935)

Sculthorpe
Sonatina (1954)

Butterley
Arioso (1960)

Butterley
Comment on a Popular Song (1960)

Bertram
‘Kinetic’ - No. 3 from Five Pieces (1984)

Dargaville
Night Song (1997)

Werder
‘Spring’ - No. 2 from William Blake’s Songs of Innocence and Experience (1985)

Artists

Trevor Barnard

About

British-born Australian pianist, Trevor Barnard, began piano lessons at the age of four and, while still very young, studied at the Royal Academy of Music, London. This was followed by several years of private tuition with Herbert Fryer, a student of Ferruccio Busoni. At the age of sixteen he was awarded the ARCM Diploma in Piano, and later won a full scholarship to the Royal College of Music, London. Subsequently, he undertook intensive masterclass study with Harold Craxton.

Between 1967 and 1972 Trevor Barnard lived in the USA, where he was a faculty member of the New England Conservatory in Boston (1968-1972) and Pianist-in-Residence to Boston University Radio (1967-1971), when he recorded the complete cycles of Beethoven and Mozart Piano Sonatas, plus other major works in the piano repertoire. In addition to many concert appearances he gave several half-hour recitals for TV in Boston and New York City. In moving to Melbourne in 1972 he became piano tutor at Monash University. From 1974 to 1988 he taught full-time consecutively at the Melbourne State College and the Melbourne College of Advanced Education, and from 1989 at The University of Melbourne until his retirement at the end of 2003.

In the mid-1970s, the World Record Club released Trevor Barnard’s solo album titled 'An Introduction to Piano Music'. The LP included 12 composers that ranged from J.S. Bach to the contemporary Australian composer, Peter Sculthorpe. This CD includes all the works from that WRC album plus an extra six composers, Grieg and five more Australians. This was intentional on Trevor’s part because he wanted to not only pay tribute to the rich musical culture that Australia reflects but also, on a personal note, to show a sense of gratitude to a country that has provided him with many professional opportunities during the second half of his lifetime.

Total Playing time 73:26

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