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Mozart: Organ Works | Audite AUDITE97484

Mozart: Organ Works

£14.11

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Label: Audite

Cat No: AUDITE97484

Barcode: 4022143974846

Format: CD

Number of Discs: 1

Genre: Instrumental

Contents

Works

Mozart
Adagio and Rondo in C minor KV617

Mozart
Adagio and Rondo in C major KV617

Mozart
Adagio in C major KV356

Mozart
Adagio and Fugue in C minor KV426

Mozart
Adagio and Fugue in C minor KV546

Mozart
Andante in F major KV616

Mozart
Ouverture in C major KV399

Mozart
Trio in G major KV443

Mozart
Fuga in G major KV401

Mozart
Fuga Es dur KV153

Mozart
Fuga in G major KV154

Mozart
Zwei Versetten No.1 KV154a

Mozart
Zwei Versetten No.II KV154a

Mozart
Adagio and Allegro - ’kleine Fantasie’ in F minor KV594

Mozart
Allegro und Andante ’grosse Fantasie’ in F minor KV608

Artists

Martin Sander (organ)

Works

Mozart
Adagio and Rondo in C minor KV617

Mozart
Adagio and Rondo in C major KV617

Mozart
Adagio in C major KV356

Mozart
Adagio and Fugue in C minor KV426

Mozart
Adagio and Fugue in C minor KV546

Mozart
Andante in F major KV616

Mozart
Ouverture in C major KV399

Mozart
Trio in G major KV443

Mozart
Fuga in G major KV401

Mozart
Fuga Es dur KV153

Mozart
Fuga in G major KV154

Mozart
Zwei Versetten No.1 KV154a

Mozart
Zwei Versetten No.II KV154a

Mozart
Adagio and Allegro - ’kleine Fantasie’ in F minor KV594

Mozart
Allegro und Andante ’grosse Fantasie’ in F minor KV608

Artists

Martin Sander (organ)

About

According to the testimony of several contemporaries, Wolfgang Amadeus Mozart was an excellent organist. Be that as it may, he composed only a few works for the "king of instruments." This is because organ compositions were intended for concrete occasions and only roughly sketched on paper. Some of these sketches and fragments were completed by pupils or friends after Mozart's death. The so-called flute clock, a kind of mechanical slot-machine with organ pipes, was a specialty of the classical period. Mozart wrote for this popular apparatus because he was well paid for it; at the same time he complained of its limited sonic possibilities, also creating "genuine" organ pieces that could only be optimally realised on a large instrument. The Metzler organ used here (Hopfgarten, Tyrol) is, with its South German-influenced sound aesthetic and extensions in the Silbermann style, perfectly suited to these works. Martin Sander - prize winner at competitions such as the Prague Spring, Bach Competition in Leipzig, ARD and others - unites them to form a conclusive complete recording.

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