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Lost is my Quiet: Duets and Solo Songs (USED) | BIS BIS2279

Lost is my Quiet: Duets and Solo Songs (USED)

£4.95

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Used - Good

Label: BIS

Cat No: BIS2279

Barcode: 7318599922799

Format: Hybrid SACD

Number of Discs: 1

Genre: Vocal/Choral

Release Year: 2017

This is a used product.
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Contents

Works

Mendelssohn, Felix

Duets (3), op.77
Duets (6), op.63
» no.1 Ich wollt' meine Lieb' ergosse sich (I would that my love)
» no.3 Gruss (Greeting)
» no.5 Volkslied
» no.6 Maiglockchen und die Blumelein
Lieder (12), op.9
» no.6 Scheidend
Songs (6) for voice and piano, op.19a
» no.4 Neue Liebe

Purcell, Henry

If music be the food of love, Z379 (realised Benjamin Britten)
Lost is my quiet for ever, Z502 (realised Benjamin Britten)
Music for a while, Z583 (realised Benjamin Britten)
Oroonoko, Z584
» Celemene, pray tell me (realised Benjamin Britten)
Sound the trumpet, Z335 (realised Benjamin Britten)
The Maid's Last Prayer or Any Rather Than Fail, Z601
» No, resistance is but vain (realised Benjamin Britten)

Quilter, Roger

Drink To Me Only (traditional)
Elizabethan Lyrics (7), op.12
» no.1 Weep no more, you sad fountains
Love calls through the Summer Night
Shakespeare Songs (5), op.23
» no.3 It was a lover and his lass
Songs (3), op.3
» no.1 Love's Philosophy
Songs (6), op.25
» no.5 Music, when soft voices die

Schumann, Robert

Gedichte (12) aus 'Liebesfruhling', op.37
» no.12 So wahr die Sonne scheinet
Gedichte (12) von Justinus Kerner, op.35
» no.8 Stille Liebe
Gesange (3), op.83
» no.3 Der Einsiedler
Lieder und Gesange III (5), op.77
» no.5 Auftrage
Lieder und Gesange IV (5), op.96
» no.1 Nachtlied
Zweistimmige Lieder (3), op.43

Artists

Carolyn Sampson (soprano)
Iestyn Davies (countertenor)
Joseph Middleton (piano)

Works

Mendelssohn, Felix

Duets (3), op.77
Duets (6), op.63
» no.1 Ich wollt' meine Lieb' ergosse sich (I would that my love)
» no.3 Gruss (Greeting)
» no.5 Volkslied
» no.6 Maiglockchen und die Blumelein
Lieder (12), op.9
» no.6 Scheidend
Songs (6) for voice and piano, op.19a
» no.4 Neue Liebe

Purcell, Henry

If music be the food of love, Z379 (realised Benjamin Britten)
Lost is my quiet for ever, Z502 (realised Benjamin Britten)
Music for a while, Z583 (realised Benjamin Britten)
Oroonoko, Z584
» Celemene, pray tell me (realised Benjamin Britten)
Sound the trumpet, Z335 (realised Benjamin Britten)
The Maid's Last Prayer or Any Rather Than Fail, Z601
» No, resistance is but vain (realised Benjamin Britten)

Quilter, Roger

Drink To Me Only (traditional)
Elizabethan Lyrics (7), op.12
» no.1 Weep no more, you sad fountains
Love calls through the Summer Night
Shakespeare Songs (5), op.23
» no.3 It was a lover and his lass
Songs (3), op.3
» no.1 Love's Philosophy
Songs (6), op.25
» no.5 Music, when soft voices die

Schumann, Robert

Gedichte (12) aus 'Liebesfruhling', op.37
» no.12 So wahr die Sonne scheinet
Gedichte (12) von Justinus Kerner, op.35
» no.8 Stille Liebe
Gesange (3), op.83
» no.3 Der Einsiedler
Lieder und Gesange III (5), op.77
» no.5 Auftrage
Lieder und Gesange IV (5), op.96
» no.1 Nachtlied
Zweistimmige Lieder (3), op.43

Artists

Carolyn Sampson (soprano)
Iestyn Davies (countertenor)
Joseph Middleton (piano)

About

Carolyn Sampson and Iestyn Davies have collaborated on many occasions in the field of Baroque opera and oratorio, but on this occasion they venture into a somewhat different territory. In the company of Joseph Middleton, they have been exploring the Lieder for one and two voices of Mendelssohn and Schumann, combining them with songs and duets by Roger Quilter. And even though the disc actually opens with a set of Purcell songs – repertoire which both singers have previously made their mark in – they are here performed with the piano accompaniments realized by Benjamin Britten, turning them into something quite new and different.

‘Creamy’, ‘luminous’ and ‘supple’ are words that often appear in reviews about both Carolyn Sampson and Iestyn Davies, and in these duets they achieve a marvellous blend as well as the utmost precision. They are aided in this by Joseph Middleton, described in The Telegraph (UK) as an ‘unfailingly sensitive accompanist’.

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