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Britten - Young Person’s Guide, Les Illuminations, Sinfonia da Requiem, etc. | Alpha ALPHA1226

Britten - Young Person’s Guide, Les Illuminations, Sinfonia da Requiem, etc.

£14.26

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Label: Alpha

Cat No: ALPHA1226

Barcode: 3701624512265

Format: CD

Number of Discs: 1

Release Date: 24th April 2026

Contents

Artists

Julie Roset (soprano)
Orchestre Philharmonique de Monte-Carlo

Conductor

Lawrence Foster

Works

Britten, Benjamin

Gloriana, op.53: Symphonic Suite
» Courtly Dances (7)
Les Illuminations, op.18
Sinfonia da Requiem, op.20
The Young Person's Guide to the Orchestra, op.34

Artists

Julie Roset (soprano)
Orchestre Philharmonique de Monte-Carlo

Conductor

Lawrence Foster

About

This album pays tribute to composer Benjamin Britten, who will be commemorated in 2026, the 50th anniversary of his death. It was conceived by conductor Lawrence Foster who, with Monte Carlo Philharmonic Orchestra, showcases the British composer's impressionism tinged with post-Romanticism. The programme includes his sublime Illuminations, based on Rimbaud's poem, often performed by tenors but originally created by a soprano in 1940. Here, the young and very promising French soprano Julie Roset is the soloist, giving a very engaging performance. Another famous piece by Britten, Young Person's Guide to the Orchestra, commissioned by the British Ministry of Education in 1945, is a set of variations on a theme by Purcell that showcases each family of instruments in the orchestra. Although the Sinfonia da Requiem (1940) was commissioned by the Japanese government to celebrate the 2600th anniversary of the Mikado dynasty, Britten dedicated it to the memory of his parents. Finally, the Courtly Dances from Gloriana are taken from the opera-tribute to the Queen of England, who was crowned six days before the premiere on 8 June 1953.

Reviews

The song cycle Les Illuminations, setting Rimbaud, is most commonly heard with a tenor (and string orchestra), although its premiere in 1940 was actually by soprano Sophie Wyss. ... Roset is terrific, whether in strident or confiding mode... this performance is well-shaped in both voice and ensemble. ... But the highlight of the whole album is the last piece, the Sinfonia da Requiem of 1939. Right from the off there is a real determination, a sombreness in the percussion and low strings, a captivating intensity and singlemindedness in the playing. This is a really good performance.  Bernard Hughes
The Arts Desk 9 May 2026

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