It is through a double CD that Musique en Wallonie is honoring the Belgian composer Lucie Vellère. When, in 1957, the jury (entirely male) of the International Composition Contest for Women Composers, organised by Grace Spofford and the American division of the Conseil international de femmes, awarded her a first prize, Lucie Vellère found herself, for the first in her life, in the public eye. She who had always cultivated discretion now aroused curiosity. Throughout her fifty-year compositional career, Vellère cultivated an art of the melodic line that one could liken to the curves of Art nouveau, which left their mark on many composers, among them the early Debussy of the Arabesques. While Franck and Fauré are often cited as her aesthetic influences, the mature Debussy appears only as filtered through Jongen. Many of the references of pictorial, poetic and musical impressionism were adopted by the composer: the elements (earth, air, fire, water), landscapes, times and seasons (evening, moonlight, autumn), evocations of temporal or spatial distance (an indeterminate past, Antiquity, the Orient). Vellère strove also for a classical sobriety and sense of proportion. This recording highlights the composer's eclectic compositions, mixing work for voice and piano, string quartets and octets, women's choir and even piano music, a panorama of her compositions that will reveal several facets of her personality.