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Golda Schultz: Mozart, You Drive Me Crazy | Alpha ALPHA1026

Golda Schultz: Mozart, You Drive Me Crazy

£13.88 £12.69

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Label: Alpha

Cat No: ALPHA1026

Barcode: 3701624510261

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 12th April 2024

Contents

Works

Mozart, Wolfgang Amadeus

Cosi fan tutte, K588
» All bella Despinetta vi presento, amici miei
» Ei parte senti! ... Per pieta, ben mio, perdona
» Fra gli amplessi
» Temerari! Sortite fuori ... Come scoglio immoto resta
Don Giovanni, K527
» Don Ottavio, son morta! ... Or sai chi l'onore
» In quali eccessi ...Mi tradi
» Non ti fidar, o misera
Le nozze di Figaro (The Marriage of Figaro), K492
» E Susanna non vien! ... Dove sono
» Gente, gente, all'armi (Act 4)
» Giunse al fin il momento ...Deh vieni, non tardar
» Sull'aria che soave zeffiretto

Artists

Golda Schultz (soprano)
Julie Roset (soprano)
Amitai Pati (tenor)
Ashley Dixon Santelli (mezzo-soprano)
Milan Siljanov (bass-baritone)
Simone Easthope (soprano)
Pawel Horodyski (bass)
Samuel Dale Johnson (baritone)
Kammerakademie Potsdam

Conductor

Antonello Manacorda

Works

Mozart, Wolfgang Amadeus

Cosi fan tutte, K588
» All bella Despinetta vi presento, amici miei
» Ei parte senti! ... Per pieta, ben mio, perdona
» Fra gli amplessi
» Temerari! Sortite fuori ... Come scoglio immoto resta
Don Giovanni, K527
» Don Ottavio, son morta! ... Or sai chi l'onore
» In quali eccessi ...Mi tradi
» Non ti fidar, o misera
Le nozze di Figaro (The Marriage of Figaro), K492
» E Susanna non vien! ... Dove sono
» Gente, gente, all'armi (Act 4)
» Giunse al fin il momento ...Deh vieni, non tardar
» Sull'aria che soave zeffiretto

Artists

Golda Schultz (soprano)
Julie Roset (soprano)
Amitai Pati (tenor)
Ashley Dixon Santelli (mezzo-soprano)
Milan Siljanov (bass-baritone)
Simone Easthope (soprano)
Pawel Horodyski (bass)
Samuel Dale Johnson (baritone)
Kammerakademie Potsdam

Conductor

Antonello Manacorda

About

‘Mozart,You Drive Me Crazy!’ This is the title that the South African soprano Golda Schultz has decided to give to her new album, devoted to the female heroines of Don Giovanni, Così fan tutte and Le nozze di Figaro, roles that have marked her career from Berlin to The Metropolitan Opera: ‘Why does Mozart drive me crazy? First of all, because his music, which sounds so easy when you listen to it, is extremely difficult to perform . . . And when I immerse myself in the world of Da Ponte and Mozart, I realise that there’s a deep complexity to their female characters: they endure the toughest trials, but they also display great strength. In fact, these operas explore humanity from the feminine perspective: every single one of these women is constantly evolving. They show how human beings transcend trauma and how grief and pain can be overcome.’

The programme is conducted by another eminent Mozartian, Antonello Manacorda, with the Kammerakademie Potsdam.

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