This fifth instalment of the recent symphonic output of Fridrich Bruk (born in Ukraine in 1937 but a Finnish resident since 1974) brings two large canvases inspired by painters: Symphony no.13 (2014) by the revolutionary Polish-Ukrainian Soviet artist Kazimir Malevich, and no.14 (2015) by Edvard Munch’s famous painting The Scream. Bruk may seem to write in a kind of stream of consciousness, but his works are subtly bound together through a network of motifs and details of scoring. Even so, the orchestral writing in both pieces is wildly inventive, a kaleidoscope of colour and counterpoint, sitting somewhere between Villa-Lobos and Pettersson in its profligate abundance, with hints here and there of Prokofiev and Szymanowski.