Beethoven's enigmatic "Hammerklavier Sonata", op.106, unprecedented for its time, made such uncompromisingly high demands of the performer that decades would pass before anyone took on the challenge. The immensely difficult, pioneering work of symphonic dimensions is a rewarding task for award-winning virtuoso Jin Ju. Her phenomenal talent turns Beethoven's complex web of motifs into pure musical expression, touching the emotions as deeply as it challenges the intellect.

Composed a couple of years after the death of Beethoven's brother, the powerful slow movement of op.106 is bursting with intensity, in which the pain of his loss and the despair of his now almost complete deafness can be felt. The final fugue with its penetrating trills of brute force brings the listener back down to earth with a jolt, pointing to these "distressing circumstances".

The much more concise, although by no means less demanding, Sonata op.101 demonstrates Beethoven's intellectual freedom, particularly in its harmonic structure, which goes far beyond the convention of the time.

Internationally celebrated by audiences and critics alike for her warm sensibility of singing lines, astonishing clarity in narrative subtleties as well as her technical perfection, Jin Ju is a rising star of the piano music world. Jin Ju achieves the feat of freeing herself from the difficulties of these sonatas, bringing forth even seemingly incidental touches with finely differentiated tonal nuances.

The subtleties of Jin Ju's piano playing on the strikingly powerful sound of the legendary "Manfred Bürki" Steinway from 1901 provide immensely pleasurable listening. Expertly produced in high-resolution sound with optional three-dimensional playback, the listener is completely immersed in the natural acoustics of the concert hall, which allows the multi-faceted depths of Beethoven's music to unfold anew.