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Chopin - Last Works | NIFC (National Institute Frederick Chopin) NIFCCD149

Chopin - Last Works

£13.75

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Label: NIFC (National Institute Frederick Chopin)

Cat No: NIFCCD149

Barcode: 5906395034970

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 1st December 2023

Contents

Works

Chopin, Frederic

Ballades (4)
» no.4 in F minor, op.52
Berceuse in D flat major, op.57
Impromptu no.3 in G flat major, op.51
Mazurkas (51)
» no.31 in A flat major, op.50 no.2
» no.32 in C sharp minor, op.50 no.3
Nocturnes (21)
» no.2 in E flat major, op.9 no.2
» no.13 in C minor, op.48 no.1
» no.18 in E major, op.62 no.2
Polonaise no.7 in A flat major, op.61 'Polonaise-Fantaisie'
Prelude no.25 in C sharp minor, op.45
Waltzes (19)
» no.7 in C sharp minor, op.64 no.2
» no.8 in A flat major, op.64 no.3

Artists

Dmitry Ablogin (piano)

Works

Chopin, Frederic

Ballades (4)
» no.4 in F minor, op.52
Berceuse in D flat major, op.57
Impromptu no.3 in G flat major, op.51
Mazurkas (51)
» no.31 in A flat major, op.50 no.2
» no.32 in C sharp minor, op.50 no.3
Nocturnes (21)
» no.2 in E flat major, op.9 no.2
» no.13 in C minor, op.48 no.1
» no.18 in E major, op.62 no.2
Polonaise no.7 in A flat major, op.61 'Polonaise-Fantaisie'
Prelude no.25 in C sharp minor, op.45
Waltzes (19)
» no.7 in C sharp minor, op.64 no.2
» no.8 in A flat major, op.64 no.3

Artists

Dmitry Ablogin (piano)

About

The new album in "The Real Chopin" series is a unique recital of Dmitry Ablogin, a finalist of the 1st Chopin Competition on Period Instruments, on a Pleyel piano which once belonged to Chopin. Gifted with extraordinary sensibility, the pianist was the first to sit at the newly restored piano from the collection of the Chopin Institute.

The 1848 Pleyel was the last instrument at which Chopin created musical masterpieces in his Parisian apartment. Its sound, highlighted by Ablogin's attention to musical nuances, adds a unique flavour to Chopin's mazurkas, waltzes, nocturnes, preludes, the Ballade in F minor, and the Polonaise-Fantasy in A major.

In the end, the pieces constitute a well-designed, moving recital of the works composed almost entirely in the last decade of the composer's life.

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