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Bartok - Piano Concertos | Pentatone PTC5187029

Bartok - Piano Concertos

£13.88

In stock - available for despatch within 1 working day

Label: Pentatone

Cat No: PTC5187029

Barcode: 8717306260299

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 15th September 2023

Contents

Artists

Pierre-Laurent Aimard (piano)
San Francisco Symphony

Conductor

Esa-Pekka Salonen

Works

Bartok, Bela

Piano Concerto no.1, BB91, Sz83
Piano Concerto no.2, BB101, Sz95
Piano Concerto no.3, BB127, Sz119

Artists

Pierre-Laurent Aimard (piano)
San Francisco Symphony

Conductor

Esa-Pekka Salonen

About

Pianist Pierre-Laurent Aimard joins forces with the San Francisco Symphony and Music Director Esa-Pekka Salonen for a recording of Bartók’s complete piano concertos. A pianist himself, Bartók imbued his three concertos with multiple aspects of his compositional persona, ranging from complex and innovative (the First) to exuberant (the Second) and serene (the Third). The result is a fascinating slice of his musical life. This all-Bartók release marks the first Pentatone collaboration between Esa-Pekka Salonen and the San Francisco Symphony, an ensemble he has reshaped through creative performance concepts and expansive new media projects.

A renowned champion of twentieth-century music, Pierre-Laurent Aimard has released multiple acclaimed albums in his exclusive contract with Pentatone, including Messiaen’s Catalogue d’Oiseaux (2018) and Visions de l’Amen (2022), along with Beethoven’s Hammerklavier Sonata & Eroica Variations (2021). He also joined Tamara Stefanovich in Etudes and Frames (2023), with music by Vassos Nicolaou. Salonen returns to the label for the first time since his recording of Stravinsky’s Perséphone (2018); the San Francisco Symphony previously appeared on the 2005 Pentatone release Young America.

Reviews

You know within just a couple of minutes these recordings are going to be special. As Salonen and the San Francisco Symphony sweep thrillingly into the First Piano Concerto’s Allegro, Pierre-Laurent Aimard luxuriates in the space they leave him on a superbly recorded disc. Everything is clear, weighted, precise, fluent, revelatory. No less remarkable are the balance and control achieved in the Second Concerto’s Adagio. The Third Concerto, meanwhile, explodes into colour, the strings incredibly delicate beneath the piano’s playfulness in the opening bars of the first movement. “Definitive” is a daft word to use about an interpretation. How can we truly know? But superlative this absolutely is.
The Sunday Times 24 September 2023

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