Johann Sebastian Bach hardly ever left his native Saxony, yet he was always up to date on what was going on elsewhere in Europe. Naturally, he paid close attention to innovations from Italy, the cradle of the concertante style, and instilled transalpine sparkle in his brilliant counterpoint, especially in his keyboard works. Proof of this may be found in the pieces based on originals by the Venetians Antonio Vivaldi and Benedetto Marcello, in which Bach transcends everything with his polyphonic genius. In the large-scale Italian Concerto, the future composer of the Goldberg Variations revisits Corelli and, once again, Vivaldi.

After several solo recordings devoted to musical dynasties (La Famille Forqueray, La Famille Rameau and Les Frères Francoeur), Justin Taylor sets off on a voyage of exploration of Bach and Italy.