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Amate Stelle - Arias for Anna Maria Strada | Glossa GCD923536

Amate Stelle - Arias for Anna Maria Strada

£14.51

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Label: Glossa

Cat No: GCD923536

Barcode: 8424562235366

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 17th February 2023

Contents

Works

Galuppi, Baldassare

Adriano in Siria
» Infelice in van mi lagno

Handel, George Frideric

Alcina, HWV34
» Ah, mio cor
Arminio, HWV36
» Scaglian amore e sangue
Lotario, HWV26
» Scherza in mar la navicella

Leo, Leonardo

Achille in Sciro
» Ma per pieta ... Non vedi tiranno
» No, ingrato, amor non senti
Zenobia in Palmira
» Quando irato il ciel s'oscura

Porpora, Nicola

Tiridate
» Non so piu ... Vi conosco amate stelle

Ristori, Giovanni Alberto

Adriano in Siria
» Oh Dio, mancar mi sento

Sarro, Domenico

Tito Sempronio Gracco
» Se veglia, se dorme

Vinci, Leonardo

Eraclea
» Io geloso non so ... Il ruscelletto amante

Vivaldi, Antonio

La verita in cimento, RV739
» Con piu diletto il mio Cupido

Artists

Marie Lys (soprano)
Abchordis Ensemble

Conductor

Andrea Buccarella

Works

Galuppi, Baldassare

Adriano in Siria
» Infelice in van mi lagno

Handel, George Frideric

Alcina, HWV34
» Ah, mio cor
Arminio, HWV36
» Scaglian amore e sangue
Lotario, HWV26
» Scherza in mar la navicella

Leo, Leonardo

Achille in Sciro
» Ma per pieta ... Non vedi tiranno
» No, ingrato, amor non senti
Zenobia in Palmira
» Quando irato il ciel s'oscura

Porpora, Nicola

Tiridate
» Non so piu ... Vi conosco amate stelle

Ristori, Giovanni Alberto

Adriano in Siria
» Oh Dio, mancar mi sento

Sarro, Domenico

Tito Sempronio Gracco
» Se veglia, se dorme

Vinci, Leonardo

Eraclea
» Io geloso non so ... Il ruscelletto amante

Vivaldi, Antonio

La verita in cimento, RV739
» Con piu diletto il mio Cupido

Artists

Marie Lys (soprano)
Abchordis Ensemble

Conductor

Andrea Buccarella

About

The young Swiss soprano Marie Lys was pleasantly surprised to discover that many of the roles she has sung in George Frideric Handel's works in recent years were written for the spectacularly virtuoso soprano Anna Maria Strada, Handel's prima donna in 1730s London.

Accompanied by the Abchordis Ensemble and Andrea Buccarella, the group's conductor and harpsichordist, Marie Lys decided to dedicate her first solo CD on Glossa to "La Stradina", with an in-depth study of Anna Maria's life on stage and the extraordinary vocal skills her roles demanded. Marie Lys has selected a repertoire that traces the career of this unique soprano in a representative way. The musical journey begins in Venice with Vivaldi's La verità in cimento from 1720, leads via Naples with arias from operas by Domenico Sarro, Leonardo Leo and Leonardo Vinci to London with three arias from Handel's operas Lotario, Alcina and Arminio. After a successful decade in London, she returned to the Italian stages in 1738, where she rounded off her career with performances in Naples and Turin in operas by Ristori, Porpora and Galuppi. New roles and operatic music thought lost come to light on this recording. A fine example is the music from Popora's Tiridate, from which this album takes its title "Amate Stelle".

Marie Lys has collaborated with conductors such as Diego Fasolis, Alessandro De Marchi, Fabio Biondi and Christophe Rousset. She has enjoyed considerable success with Handel, performing Ariodante (Ginevra) and Lotario (Adelaide) both under Laurence Cummings for the Göttingen International Handel Festival, Orlando (Dorinda) under Dani Espasa for the Festival Castell Peralada, and Il Trionfo del Tempo e del Disinganno (Bellezza) alongside Fabio Biondi in Granada. Moreover, she appeared as Dalinda (Ariodante) at the London Handel Festival, Cleopatra (Giulio Cesare in Egitto) at the Bury Court Opera, and Galatea (Acis and Galatea) at Opéra de Massy. Marie Lys was awarded the Audience Prizes at both the Concours de chant de Toulouse (2019) and London Handel Singing Competition (2016). She won the First Prize at the Göttinger Reihe Historischer Musik Competition with the Abchordis Ensemble (2015).

Reviews

It is a powerful voice, and it comes as a surprise that her coloratura is so marvellously effortless. I have seen some very positive reviews of her singing and hearing her here amply confirms her greatness. The aria itself is a knock-out start to the recital, of high-speed intensity and rhythmic exuberance.
MusicWeb International

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