Polish composer Alfons Szczerbiński (1858–1895) was born at a time of upheaval in Europe during the second half of the 19th century. A prominent Polish talent in the Romantic mould, Szczerbiński was profoundly influenced by the harmonic models of Bach, Haydn and Mozart. His surviving music is mostly written for the piano but many of his compositions were either lost during the First World War or destroyed by the composer himself. Heard here in their world-première recordings, the Chansons sans paroles are Romantic miniatures that possess rich melodic elegance and marvellous phrasal beauty, sometimes redolent of Mendelssohn, Chopin or Liszt.

Giorgio Koukl is a pianist/harpsichordist and composer. He studied at both the Conservatories of Zürich and Milan, where he took part in the masterclasses of Nikita Magaloff, Jacques Février, and Stanislaus Neuhaus, and with Rudolf Firkušný, friend and advocate of Czech composer Bohuslav Martinů. It was through Firkušný that Koukl first encountered Martinů‘s music, and is now considered one of the world’s leading interpreters of Martinů’s piano music. As a logical continuation of this work, Koukl has recorded the complete solo piano works of Paul Le Flem, Alexander Tcherepnin, Arthur Lourié, Vítězslava Kaprálová, Witold Lutosławski, and more recently, Alexandre Tansman and Tibor Harsányi.