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E Bruni - HyperKronos: Chamber Music | Tactus TC970290

E Bruni - HyperKronos: Chamber Music

£22.95

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Label: Tactus

Cat No: TC970290

Barcode: 8007194200539

Format: CD

Number of Discs: 2

Genre: Chamber

Release Date: 3rd September 2021

Contents

Artists

Santo Albertini (harmonica)
Giuseppe Barutti (cello)
Patrizia Bettotti (violin)
Ivo Brigadoi (cello)
Edoardo Bruni (piano)
Ivo Crepaldi (violin)
Jessica Dalsant (flute)
Lorenzo Di Marco (flute)
Andrea Ferroni (violin)
Margherita Guarino (cello)
Lorenzo Guzzoni (clarinet)
Carlo Lazari (violin)
Alexander Monteverde (viola)
Roberto Pangrazzi (percussion)
Corrado Ruzza (piano)

Works

Bruni, Edoardo

Algol for piano trio
Danze ungheresi (3) for violin and piano
Elegia for clarinet, cello and piano
Fantasia for ciolin and piano
Pezzi surrealisti (4)
Sonata esotica for flute and piano
Sonata romantica for cello and piano
Sonata surrealistica for harmonica and piano
Tobruk '42 for piano quintet

Artists

Santo Albertini (harmonica)
Giuseppe Barutti (cello)
Patrizia Bettotti (violin)
Ivo Brigadoi (cello)
Edoardo Bruni (piano)
Ivo Crepaldi (violin)
Jessica Dalsant (flute)
Lorenzo Di Marco (flute)
Andrea Ferroni (violin)
Margherita Guarino (cello)
Lorenzo Guzzoni (clarinet)
Carlo Lazari (violin)
Alexander Monteverde (viola)
Roberto Pangrazzi (percussion)
Corrado Ruzza (piano)

About

After the previous publication of Ars Modi (Tactus code TC970202), this double-CD retraces three previous creative phases of the young composer Edoardo Bruni: romantic, surrealist, and heroic, on which is based the musical journey leading the author to his expressive maturity. Here we have a variety of different chamber compositions interpreted by numerous musicians who have alternated in the performances. The writing is in the name of a musical manifesto not looking for the “new” writing or expression at any costs, yet trying to find new formulas within a language of the past that belongs to our culture and that, for this reason, doesn’t necessarily need to be betrayed or reviled. The “beauty” – ultimately – has its own precise identity that does not always match with the “new”, as demonstrated by many artistic currents of the twentieth century that, in the desperate search for novelty, have perhaps lost sight of the ultimate goal of art, whose quintessence actually lies in the concept of beauty.

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