Avison - Concerti grossi (after D Scarlatti) | Glossa GCD923526

Avison - Concerti grossi (after D Scarlatti)

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Label: Glossa

Cat No: GCD923526

Format: CD

Number of Discs: 1

Release Date: 23rd April 2021

Contents

Artists

Emmanuel Resche-Caserta (violin)
Ignacio Prego (harpsichord)
Tiento Nuovo

Conductor

Ignacio Prego

Works

Avison, Charles

Concerti grossi (12) after Domenico Scarlatti
» no.5 in D minor
» no.6 in D major
» no.9 in C major
» no.12 in D major

Scarlatti, Domenico

Keyboard Sonata in B minor, K27
Keyboard Sonata in B minor, K87
Keyboard Sonata in C minor, K11
Keyboard Sonata in D minor, K213

Artists

Emmanuel Resche-Caserta (violin)
Ignacio Prego (harpsichord)
Tiento Nuovo

Conductor

Ignacio Prego

About

The imaginative musician that is harpsichordist Ignacio Prego directs a new selection of the Concerti grossi by Charles Avison drawing inspiration from keyboard sonatas by Domenico Scarlatti.

The Madrid-born Prego is alive to the variety of musical ideas embedded in these concertos – four of the concertos “after Scarlatti” that Avison had published in 1744: each concerto, with the ensemble divided into concertino and ripieno groups, is a sequence of movements, the appealing, lively, melodious and playful contrasting with the slow, light, restful and contemplative.

Added to Avison’s inventiveness and freshness are Prego and his ensemble’s creativity and sensitivity, especially in matters of ornamentation. Italian music had great popularity in Britain at the time and Avison himself had studied with Francesco Geminiani. Avison also rode the wave of the then-current “English cult of Domenico Scarlatti”, adapting and transforming Scarlatti’s Sonata ideas into his Grand Concertos and making them his own.

Ignacio Prego and his new Spain-based ensemble Tiento Nuovo (led by Emmanuel Resche-Caserta) relish the Iberian influences pervading the concertos; these are peppered with folk-music references drawn in by Scarlatti across his more than three decades of travelling around Spain and Portugal with his patron Maria Barbara de Braganza.

The solo harpsichordist in Prego – Glossa issued a warmly-received set of the Bach Goldberg Variations – is put to stirring use with the inclusion of four Scarlatti keyboard sonatas.

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