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Humfrey - Sacred Choral Music | Delphian DCD34237

Humfrey - Sacred Choral Music

£19.06

In stock - available for despatch within 1 working day

Label: Delphian

Cat No: DCD34237

Barcode: 0801918342370

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 22nd January 2021

Contents

Artists

Alexander Chance (countertenor)
Nicholas Mulroy (tenor)
Nick Pritchard (tenor)
Ashley Riches (bass)
Stephen Whitford (bass, cantor)
The Choir of Her Majesty’s Chapel Royal
Bojan Cicic (violin)
Elin White (violin)
Jane Rogers (viola)
Sarah McMahon (cello)
Alex McCartney (theorbo)
Martyn Noble (organ)

Conductor

Joseph McHardy

Works

Humfrey, Pelham

By the waters of Babylon
Communion Service in E minor
Magnificat and Nunc dimittis in E minor (Evening Service)
Morning Service in E minor
O Lord my God
O give thanks unto the Lord

Artists

Alexander Chance (countertenor)
Nicholas Mulroy (tenor)
Nick Pritchard (tenor)
Ashley Riches (bass)
Stephen Whitford (bass, cantor)
The Choir of Her Majesty’s Chapel Royal
Bojan Cicic (violin)
Elin White (violin)
Jane Rogers (viola)
Sarah McMahon (cello)
Alex McCartney (theorbo)
Martyn Noble (organ)

Conductor

Joseph McHardy

About

A protege of Henry Cooke, first director of the choir of the Chapel Royal after the restoration of the monarchy in 1660, Pelham Humfrey was part of a generation of musicians who enriched the musical life of their native England with influences drawn from continental Europe – from France, where Humfrey had studied between 1664 and 1667, and from the Italian musicians at work in the London to which he returned, succeeding Cooke in 1672.

Today the same choir sings at St James's Palace, where the present recording was made by gracious permission of Her Majesty The Queen. Joined by a small instrumental ensemble led by Delphian regular Bojan Čičić, with an antiphonal layout inspired by records of the former chapel at Whitehall, this group of ten boy choristers and six adult singers revives the musical and devotional world of its former director, in intimate performances alive with its predecessors' improvisational air.

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