Respighi - Fountains, Pines & Festivals of Rome | Chandos CHSA5261

Respighi - Fountains, Pines & Festivals of Rome

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Label: Chandos

Cat No: CHSA5261

Barcode: 0095115526125

Format: Hybrid SACD

Number of Discs: 1

Genre: Orchestral

Release Date: 31st July 2020

Gramophone Editor's Choice BBC Music Magazine Award Winner



Following the widespread critical acclaim of their first two recordings – including a BBC Music Magazine Award – John Wilson and the Sinfonia of London turn to Respighi’s Roman Trilogy for their third release.

Born in Bologna in 1879, Respighi trained as a violinist and composer, and travelled extensively. His influences are therefore wide-ranging, from Richard Strauss and Debussy to Rimsky-Korsakov (who taught him orchestration) in addition to a love of – and fascination with – Plainsong and music of the Italian baroque.

Fountains of Rome was the first of these three great tone poems, composed between 1913 and 1916, and inspired by a series of photographs given to him by the artist Edita Broglio. Intensely programmatic, the work sees Respighi setting out to evoke ‘sentiments and visions suggested... by four of Rome’s fountains contemplated at the hour in which their character is most in harmony with the surrounding landscape, or in which their beauty appears most impressive to the observer’.

Pines of Rome was completed in 1924 – a particularly turbulent time in Italy, following Mussolini’s appointment as Prime Minister, in 1922. Like Fountains, the work is explicitly programmatic, set in four sections, and calling for extremely large orchestral forces – including a gramophone recording of a nightingale in the third movement.

Roman Festivals was premiered in 1928 by the New York Philharmonic under Toscanini, who was a great supporter of Respighi and regularly performed his works throughout his career. Again, in four parts, Festivals calls for the largest orchestration of all, including a vast array of percussion as well as organ, four-hand piano and mandolin.

Despite some negative criticism (particularly in the UK) when they were first introduced, these works have found favour with concert goers around the world and been regularly performed ever since – indeed, they have perhaps proven much more highly valued by conductors and audiences than by the critics!

This recording was made in Surround Sound and is available as a Hybrid SACD.


This is a high-voltage interpretation, virtuosically played and strong on detail and drama, in which Wilson digs deep into the complexities both of Respighi’s at times eclectic imagination and his extraordinary powers of orchestration. ... Wilson and his orchestra more than hold their own against their rivals, and perhaps just have the edge over them thanks to Chandos’s superbly engineered recording, which is state-of-the-art, and absolutely stunning.  Tim Ashley
Gramophone October 2020

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