The endless genre of operatic fantasy, which explodes and spreads without embankments in the musical culture of the entire Italian nineteenth century, has already been extensively explored in various Tactus productions dedicated both to chamber and sacred music. This time, however, the main protagonists are the oboe and the cor anglais, fascinating orchestral instruments that, thanks to the great virtuoso from Palermo, Antonino Pasculli, take part in that great musical activity - attended by myriads of Italian and European composers - that unconditionally suffered the charm of Italian melodrama. In this case they are the immortal melodies of Giuseppe Verdi - one of the most successful opera composers of all time - inspiring the fantasies of Pasculli, in the interpretation (both acrobatic to the oboe and cantabile and expressive to the cor anglais) of the master Paolo Grazia accompanied by the Orchestra Senzaspine conducted by the masters Matteo Parmeggiani and Tommaso Ussardi.