In his homeland, Avet Terterian (1929-1994) is regarded, alongside Aram Khachaturian, as the other giant of twentieth-century Armenian music, and as the founder of his nation’s progressive school of composers.

Born in July 1929, Terterian began his musical education at the Baku Music College. Returning to his native country, he studied at the Komitas State Conservatory in Yerevan, latterly becoming a composition pupil of Edvard Mirzoian. His early works follow in the tradition of Khachaturian. From his opera The Ring of Fire (1967) onwards, he developed an advanced musical language embracing atonality, chance elements, and electronics. Another significant influence was the music of Giya Kancheli, and important, too, was the way in which he absorbed aspects of Armenian folk and ancient liturgical music into his personal voice. The backbone of Terterian’s achievement is enshrined in his eight symphonies. In summing them up he wrote: ‘We are all living on the threshold of a terrible apocalyptic judgement. It has always seemed to me that my symphonies are a cry of the soul for salvation and for the forgiveness of sins.’