Shostakovich - Symphony no.10 | BR Klassik 900185

Shostakovich - Symphony no.10

£12.56 £10.04

save £2.51 (20%)

special offer ending 23/02/2021

Usually available for despatch within 2-3 working days

Label: BR Klassik

Cat No: 900185

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 1st November 2019



Symphonieorchester des Bayerischen Rundfunk


Mariss Jansons


Shostakovich, Dmitri

Symphony no.10 in E minor, op.93


Symphonieorchester des Bayerischen Rundfunk


Mariss Jansons


Shostakovich’s Tenth Symphony subsumes the composer’s confrontation with Stalin and the Stalin years, even if experts disagree on how it should be interpreted. Even after 1945, despite, or perhaps because of, the war that had been won, life in the Soviet Union became no easier. Dmitri Shostakovich also suffered from the repression during Stalin’s reign of terror. He had been accused of formalism since 1936, and had had to withdraw his Fourth Symphony as a result. He had also failed to produce the triumphant music expected of him following the victory over Nazi Germany: his grotesque Ninth Symphony was far removed from this and also contained hidden but sharply critical references to Stalin. After suffering humiliation in the course of the “anti-Formalist” purges of 1948, during which he was relieved of his teaching posts, Shostakovich withdrew from public life. Immediately after Stalin’s death on 5 March 1953, he was able to bring forth a significant number of serious works that he had shelved and that were all awaiting either premieres or rehabilitation. His Tenth Symphony – composed between July and October 1953 – was premiered on 17 December 1953 by the Leningrad Philharmonic Orchestra conducted by Yevgeny Mravinsky. It was the first symphonic work he had composed since 1945.

Mariss Jansons considers Dmitri Shostakovich to be one of the most serious and sincere composers ever, and finds the fifteen symphonies in particular to be deeply moving and captivating. He sees their music as bearing shattering testimony to a traumatic era of political darkness, while remaining a timeless expression of existential human feeling and experience. Over a period of seventeen years, Mariss Jansons has recorded all the Shostakovich symphonies, on each occasion together with the orchestra he was artistically associated with at the time. Six of the performances were with the Symphonieorchester des Bayerischen Rundfunks. In 2006 the cycle was completed in time for the centenary of the composer’s birth. The performance of the Thirteenth Symphony was awarded a Grammy in the “Best Orchestral Performance” category.

Concert recording, Herkulessaal of the Munich Residenz, 4 March 2010


If you want a testimony to what it was we lost when Mariss Jansons died, listen to this disc. In big symphonic works Jansons always had a flair for bringing out both the long singing line and the key details, but this is exceptional. ... The recordng is sumptuous, and I especially like the powerful rich bass – bass lines are so important in this symphony. ... If you want a suitable monument to a great conductor, then look no further.  Stephen Johnson (Recording of the Month)
BBC Music Magazine March 2020

Error on this page? Let us know here

Need more information on this product? Click here