Gabriel Fauré has frequently been termed “the father of Impressionism”; the Parisian music world of Fauré’s time was characterised by emancipation from German hegemony in chamber music after the traumatic outcome of the Franco-Prussian War in 1871 and by the beginnings of an original French musical language beyond the opera.

Fauré shows himself from his Late Romantic and passionate sides: already the beginning impetuously rushes forward, but for all its passion it quite strictly and surprisingly follows the formal conventions in its polyphony.

The Mozart Piano Quartet skilfully combines the traditional with the new; in three-dimensional sound the enormous dynamic expressive breadth of the ensemble develops its full potential.