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Clara Schumann and her Family | MDG (Dabringhaus und Grimm) MDG6040729

Clara Schumann and her Family

£14.11

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Label: MDG (Dabringhaus und Grimm)

Cat No: MDG6040729

Barcode: 0760623072920

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 10th May 2019

Contents

Works

Bargiel, Woldemar

Bagatelle, op.4 no.1
Bagatelle, op.4 no.2
Charakterstuck, op.1 no.2
Fantasiestucke (3), op.9

Brahms, Johannes

Serenade no.1 in D major, op.11
» IV Menuetto I & II (arr. Clara Schumann)

Liszt, Franz

Lieder von Robert und Clara Schumann (10), S569
» no.9 Ich hab' in deinem Auge

Schumann, Clara

Pieces fugitives (4), op.15
» no.1 Larghetto
» no.4 Scherzo

Schumann, Robert

Albumblatter, op.124
» no.16 Schlummerlied
Liederkreis, op.39
» no.5 Mondnacht (arr. Clara Schumann)
» no.6 Schone Fremde (arr. Clara Schumann)
» no.12 Fruhlingsnacht (trans. Clara Schumann)
Stucke (6) in kanonischer Form (Studies in canonic form), op.56
» no.4 in A flat major (arr. Clara Schumann)
Wunsch

Artists

Ira Maria Witoschynskyj (piano)

Works

Bargiel, Woldemar

Bagatelle, op.4 no.1
Bagatelle, op.4 no.2
Charakterstuck, op.1 no.2
Fantasiestucke (3), op.9

Brahms, Johannes

Serenade no.1 in D major, op.11
» IV Menuetto I & II (arr. Clara Schumann)

Liszt, Franz

Lieder von Robert und Clara Schumann (10), S569
» no.9 Ich hab' in deinem Auge

Schumann, Clara

Pieces fugitives (4), op.15
» no.1 Larghetto
» no.4 Scherzo

Schumann, Robert

Albumblatter, op.124
» no.16 Schlummerlied
Liederkreis, op.39
» no.5 Mondnacht (arr. Clara Schumann)
» no.6 Schone Fremde (arr. Clara Schumann)
» no.12 Fruhlingsnacht (trans. Clara Schumann)
Stucke (6) in kanonischer Form (Studies in canonic form), op.56
» no.4 in A flat major (arr. Clara Schumann)
Wunsch

Artists

Ira Maria Witoschynskyj (piano)

About

This CD is dedicated to this unique woman musician who died in 1896. The selections, most of them premiere recordings, offer us a close and illuminating look at her compositional art and the family musical context in which she lived and worked.

Clara Schumann was more than just Robert’s better half and not at all a homebody. It is only in the last ten years, with the new interest in women’s contributions to the arts, history, and the sciences, that Clara Schumann has finally received recognition as a composer in her own right. This recording also promises to bring Woldemar Bargiel, Clara Schumann’s half-brother, some of the recognition he rightly deserves as a composer.

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