Rachmaninov - Piano Concerto no.2, Paganini Rhapsody | Alpha ALPHA275

Rachmaninov - Piano Concerto no.2, Paganini Rhapsody

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Label: Alpha

Cat No: ALPHA275

Format: CD

Number of Discs: 1

Genre: Orchestral

Release Date: 18th August 2017



Anna Vinnitskaya (piano)
NDR Elbphilharmonie Orchestra


Krzysztof Urbanski


Rachmaninov, Sergei

Piano Concerto no.2 in C minor, op.18
Rhapsody on a Theme of Paganini, op.43


Anna Vinnitskaya (piano)
NDR Elbphilharmonie Orchestra


Krzysztof Urbanski


Serge Rachmaninov’s Second Piano Concerto might never have seen the light of day had it not been for hypnosis: before the twenty-seven-year-old composer began work on it, he was on his last legs – financially, artistically and psychologically. Dr Nikolay Dahl hypnotised his patient every day, whispering to him: ‘You will write your concerto. You will work with great fluency. The concerto will be of excellent quality.’ The creative block disappeared, and the concerto’s premiere in Moscow in 1901 was a triumph for Rachmaninov, who played the solo part himself. Anna Vinnitskaya says she feels ‘a spring-like atmosphere’ in this work: throughout there is a sense of movement, of awakening. The music passes through the most contrasting psychological landscapes, but moves towards clarity and light.

Rachmaninov composed the Rhapsody on a Theme of Paganini in 1934, ten years before his death. Brahms, Liszt, Lutosławski and Andrew Lloyd Webber are among the remarkable roll call of composers inspired by Paganini’s theme. The Russian pianist and the Polish conductor Krzysztof Urbański have often played Rachmaninov together, on every continent. The two artists, both of whom present here their third disc for Alpha, were reunited in the NDR studios in Hamburg to record this repertory that fits them like a glove.


poised and shining
BBC Music Magazine 7 September 2017
I especially like how Vinnitsaya seemingly throws away the famous second subject, avoiding the kind of generic ritards young pianists favour in the name of expression.
Gramophone October 2017
Vinnitskaya takes nothing as read; phrasing is imaginative, dynamics are finely calibrated and the whole piece emerges with a clarity and freshness
MusicWeb International 27 September 2017

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