JS Bach - St John Passion | MDG (Dabringhaus und Grimm) MDG9021985

JS Bach - St John Passion

£25.16

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Label: MDG (Dabringhaus und Grimm)

Cat No: MDG9021985

Format: SACD

Number of Discs: 2

Genre: Vocal/Choral

Release Date: 3rd February 2017

Contents

Artists

Veronika Winter (soprano)
Franz Vitzthum (countertenor)
Andreas Post (tenor)
Christoph Schweizer (baritone)
Thomas Laske (baritone)
Bernhard Spingler (bass)
Stefan Weible (tenor)
Lucian Eller (bass)
Hille Perl (viola da gamba)
Stuttgarter Hymnus-Chorknaben
Handel’s Company

Conductor

Rainer Johannes Homburg

Works

Bach, Johann Sebastian

St John Passion, BWV245

Artists

Veronika Winter (soprano)
Franz Vitzthum (countertenor)
Andreas Post (tenor)
Christoph Schweizer (baritone)
Thomas Laske (baritone)
Bernhard Spingler (bass)
Stefan Weible (tenor)
Lucian Eller (bass)
Hille Perl (viola da gamba)
Stuttgarter Hymnus-Chorknaben
Handel’s Company

Conductor

Rainer Johannes Homburg

About

Johann Sebastian Bach revised his St. John Passion several times. Which one to choose? Rainer Johannes Homburg selected the last version for this performance with his Hymnus Choirboys of Stuttgart and Handel’s Company. Why? It combines the carefree expressivity of Bach’s initial years at St. Thomas, eliminating unnecessary second thoughts from  his middle years, with an experienced and maturemaster’s instrumental tonal sophistication – which Homburg fully exploits. The richly coloured continuo group, here even including a contrabassoon, makes us sit up and listen. Get ready for an enthrallinglistening experience and vibrant performance by this prizewinning traditional choir!

While the St. Matthew Passion focuses on Jesus’s human suffering, in the St. John Passion Christ presents himself above all as the divine Redeemer. Bach captures the dramatic reduction going along with this depiction; the carefully balanced symmetry of the composition is a genial reflection of the architecture of the Gospel of St. John, from the initial “Herr unser Herrscher” to the concluding “Dich will ich preisen ewiglich.” In this way the narrative of the suffering and death of Jesus – very much as Martin Luther saw it – becomes a message full of happy hope for all people.

Bach repeatedly conveys the special core of this message with special instruments. The viola d’amore is used, and so are the lute, oboe da caccia, and oboe d’amore. However, one of the high points is doubtless the gripping alto aria “Es ist vollbracht,” which calls on the solo viola da gamba to express the most highly personal sorrow. The repeated employment of a contrabassoon must have made Bach’s contemporaries  take  special notice. And even today its grumbling in the bass depths resultsin fascinating shuddering.

Andreas Post, a highly expressive Evangelist, guides us through the fast-paced action, which keeps us in suspense until the very last second. And this three-dimensional recording in high-resolutionSACD quality means that listening experience merges with real life: an existential human borderline experience that  will move even those who are not devout Protestants.

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