Gershwin - Rhapsody in Blue, Concerto in F, 8 Preludes | Somm SOMMCD2602

Gershwin - Rhapsody in Blue, Concerto in F, 8 Preludes

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Label: Somm

Cat No: SOMMCD2602

Format: CD

Number of Discs: 2

Release Date: 27th May 2016

Contents

About

Mark Bebbington, best-known for his much-acclaimed recordings of British music on Somm, takes a leap across the Atlantic this month to bring his refined yet expressive style to a spectacular all-Gershwin CD, alongside the Royal Philharmonic Orchestra and the Grammy Award-nominated American conductor Leon Botstein. The pair take a fresh interpretive look at some of Gershwin's best-loved repertoire - Concerto in F, Rhapsody in Blue, the 'I Got Rhythm' Variations. And the first-ever integral recording of Gershwin's Eight Preludes for Solo Piano, included in this double slimline CD as a bonus disc at the price of a single album.

Anyone familiar with Mark Bebbington's probing interpretations - which have netted him seven five-star reviews in a row from BBC Music Magazine - and the questing musical explorations of maestro Botstein (currently in his 23rd year as music director of the American Symphony Orchestra) will know what to expect. And, says Bebbington, they uncovered unexpected shades among the famous melodies. "There is a real Mahlerian melancholy that lies at the heart of the slow movement of the Concerto," he says, "and it's when you take note of those profundities that the fierce joy elsewhere really makes sense."

Leon Botstein brings a majestic intensity to the orchestral writing, with Mark Bebbington matching him bar by bar - bringing the same chemistry to the studio that infused their successful appearance together recently at Carnegie Hall. And they equally drink gleefully the heady cocktail of Charleston and ragtime inflected with jazz that spikes these works.

This will be a Gershwin recording to remember - fresh interpretations, a premiere, and two fine musicians at the top of their game.

Reviews

Pianist Mark Bebbington brings a nice balance of swagger and thoughtfulness to this all-Gershwin programme. He has said he finds a “Mahlerian melancholy” in the second movement of the Concerto in F, which is almost a concerto in itself, and his playing here is supported by some shapely and characterful wind playing. But the whole work brings a tautly wound performance under conductor Leon Botstein. Rhapsody in Blue starts with a clarinet solo even more languorous than usual, and the RPO’s colours at times are almost garish – the muted trumpets play up the wah-wahs for all they’re worth. But the performance is light on its feet, and the Variations on I Got Rhythm are similarly persuasive. An extra CD claims to offer the first recording as a complete set of the eight Preludes – five more than most will be familiar with in this form, all snappily played. Erica Jeal
The Guardian 10 June 2016

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