J S Bach - Mass in B minor
£29.39
Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock. It is based on the assumption that you are ordering one copy - if you order multiple copies of the same item, the quoted leadtime may not apply.
If ordering multiple different items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
New Item
Label: CPO
Cat No: 7778512
Barcode: 0761203785124
Format: Hybrid SACD
Number of Discs: 2
Genre: Vocal/Choral
Release Date: 4th January 2016
FREE UK SHIPPING OVER £35!
To my mind, Mortensen’s special performance, which is full to the brim with insightful musicianship and has a refreshing avoidance of contrived formulas, comfortably joins Parrott (EMI), Junghänel and John Butt (Linn) as the finest examples of this kind of perspective on performing Bach’s monumental sacred masterpiece. [...] The individual components are routinely marvellous, but Concerto Copenhagen produce something much more than the sum of its parts: one of the most profoundly captivating interpretations to have emerged recently.
The sound world of Bach’s last great Mass has changed radically in recent decades; one-to-a-part performance practice is, as conductor Lars Ulrik Mortensen puts it, “changing our entire notion of Bach’s acoustic universe”. This bold claim is amply proven in an account of dazzling transparency, dance-like rhythms and utter clarity. Sometimes the balance seems not quite right, for example when organ continuo dominates, but some superb ensemble numbers pit voices against virtuosic instruments so each seems to outdo the other in joyous exuberance. The five soloists complement each other well, and the addition of just five extra singers is all that is needed to explode Bach’s universal vision into life.