Beethoven - Complete String Quartets Vol.5
save £2.69 (20%)
special offer ending 30/10/2019
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Cat No: AUDITE92684
Number of Discs: 1
Release Date: 11th December 2015
WorksString Quartet no.15 in A minor, op.132
String Quintet in C major, op.29
ArtistsLawrence Dutton (viola)
Quartetto di Cremona
Audite’s fifth volume of the Complete Beethoven String Quartets presents not only the Op.132 String Quartet but also Beethoven’s only original String Quintet. Lawrence Dutton, the viola player of the Emerson String Quartet, joins the Quartetto di Cremona.
Mozart left six string quintets to the music world, Louis Spohr’s work catalogue contains seven, whilst Luigi Boccherini completed around 120. Beethoven had three quintets published, but only one of these was originally conceived for string quintet. However, his opus 29 of 1801 is a true masterwork on the brink between the Classical style of his teacher, Joseph Haydn, and the revolutionary idiom of Beethoven’s middle and late periods. The Adagio (with its adjunct of 'molto espressivo') in particular heralds an evocative intensity which was still foreign in Beethoven’s earlier works.
However, by his late oeuvre of the 1820s – the Ninth Symphony, 'Missa solemnis', late piano sonatas and quartets – Beethoven had developed such a distinctive language that the label of 'Early Romanticism' no longer applies.
His String Quartet in A minor, Op.132, with its five movements and exceptional degree of difficulty, also stands apart from contemporary works - then as now, only professional ensembles could tackle this grandly conceived colossus. As in the quintet, the Molto adagio represents the core of the piece. Its title – 'Holy song of thanksgiving of a convalescent to the Deity' – refers to an illness from which the composer had recovered, and adapts a chant inspired by the Renaissance composer Palestrina. In so doing, Beethoven includes a musical ancestor in his quartet whilst making a religious avowal.
Error on this page? Let us know here
Need more information on this product? Click here