Richard Carrick - Cycles of Evolution | New World Records NW80759

Richard Carrick - Cycles of Evolution

£12.35

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Label: New World Records

Cat No: NW80759

Format: CD

Number of Discs: 1

Release Date: 11th May 2015

Contents

Artists

Richard Carrick (piano)
Either/Or
Ensemble Son
Hotel Elefant
DZ4
Toomai String Quintet
String Orchestra of Brooklyn
New York Philharmonic Members

Conductor

Richard Carrick

Works

Carrick, Richard

Adagios (4) for string orchestra
Cycles of Evolution (5)

Artists

Richard Carrick (piano)
Either/Or
Ensemble Son
Hotel Elefant
DZ4
Toomai String Quintet
String Orchestra of Brooklyn
New York Philharmonic Members

Conductor

Richard Carrick

About

A special feature of Richard Carrick’s (b.1971) music has always been his fascination with creating spatial depth and dimension through subtly balanced orchestration and dynamics. Constantly in development, these qualities are salient in a new crop of pieces from 2012 through 2014, filtered through an increasing attraction to the power of rich, robust stasis, rhythmic ambiguity, and the plasticity of motivic ideas.

Of the six works on this disc, the first five comprise a new cycle of compositions - Cycles of Evolution. This set of works was conceived in the vein of Carrick’s earlier 'Flow Cycle', but never intended to be a sequel, or even a continuation of those ideas. Where 'Flow Cycle' uses a limited colour palette and is cast in solo and chamber form, climaxing in a trio, Cycles of Evolution employs the lush, expansive rainbow of colours offered by large ensembles with conductor.

Outside of Cycles of Evolution sits the final work on this disc, a four-movement set of Adagios for String Orchestra. Organised almost as a compendium of varieties of Adagios (even showing different types within single movements), Carrick distils the essence of an adagio to “a single movement, emotional response to an event”. The event in question here is the death of the composer’s father, which is treated in turn with music that evokes distress, anger, release, and comfort.

Certain composers display surface gestures that define them without a doubt within the first few moments of hearing a piece. Not so with Richard Carrick. The uniquely defining aspects of Carrick’s music lie deep in the structure. It’s the way we perceive melody and form, the systematic and ruthless exploration of intervals, and the way that passing time affects our understanding of a gesture even as we are hearing it, that moves us in ways that are as difficult to define as the melodic role in any instant. It’s music that requires our attention, but the rewards far outstrip the efforts.

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