The Precise Music of Galina Ustvolskaya: The Six Piano Sonatas
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Cat No: MV08105
Format: DVD - PAL
Number of Discs: 1
Release Date: 7th April 2015
WorksPiano Sonata no.1
Piano Sonata no.2
Piano Sonata no.3
Piano Sonata no.4
Piano Sonata no.5
Piano Sonata no.6
ArtistsOlga Pashchenko (piano)
Ksenia Semenova (piano)
Alexei Grotz (piano)
Elizaveta Miller (piano)
Vladimir Ivanov (piano)
Alexei Lubimov (piano)
A Film by Alexandre Bragé.
In the period from 1947 to 1988, Galina Ustvolskaya wrote six piano sonatas. These Sonatas are the laboratory of her spiritual quest: in them there is the combination of the creation of the universe and maximum personal deepening and confessing. Her work recalls discoveries in physics, showing that the macrocosm and microcosm are built to the same laws.
Galina Ustvolskaya (1919-2006) spent her life in St Petersburg, where she studied with Shostakovich (declining a marriage proposal from him) and in turn taught composition at the conservatory. She was a reclusive figure whose mature music deals mostly in extremes.
The First Sonata is vaguely similar in style to Shostakovich. The first and second movements of this sonata bring to mind Shostakovich's compositions from the 1920s, while the third movement is reminiscent of work he did in the 1970s. But the Second Sonata is different - its musical language is more sacred in nature.
At about 18 minutes, the Third Sonata is the longest. In it, Ustvolskaya's style achieves its culmination. The Fourth Sonata is closest in form to a suite. There are echoes of the 12 Preludes (1953). Ustvolskaya wrote the Fifth Sonata in ten sections across a period of nearly thirty years. It has a 'theme' running through it which consists of a single sound - that of the first octave. This sound keeps appearing, as if symbolising a kind of centre of the universe or of the keyboard, or of the human and divine spirit.
The Sixth Sonata is the last and the shortest. In it, Ustvolskaya introduces new techniques to her music, involving playing the piano using the palms of the hands and the elbows.
Alexei Lubimov had the idea for a performance of all of Ustvolskaya's piano sonatas during a single concert while he was studying her music with his students: “A Moscow theatre, the School of Dramatic Art, gave us the use of its unusual ‘Globe Hall’ for this project. The hall is shaped like an octohedron, with three tiers of seating around a central empty space [...]. The acoustics of this cramped space concentrated sounds and carried them upwards. The audience was at the very centre of Ustvolskaya's sound laboratory and was able, quite literally, to be inside the instrument and inside its sound.”
- Piano Sonata No.1 - Olga Pashchenko
- Piano Sonata No.2 - Ksenia Semenova
- Piano Sonata No.3 - Alexei Grotz
- Piano Sonata No.4 - Elizaveta Miller
- Piano Sonata No.5 - Vladimir Ivanov
- Piano Sonata No.6 - Alexei Lubimov
Live recording of the concert at the School of Dramatic Arts, Moscow, 7 March 2011.
73 mins / Stereo / DVD 5 PAL / 16:9
Error on this page? Let us know here
Need more information on this product? Click here