‘When he is at his best he plays more beautifully than any of us’ wrote Alfred Brendel on the pianism of Wilhelm Kempff. Eloquence is proud to announce a mini-edition devoted to some of the rarer recordings of Wilhelm Kempff, born in 1895 at Jüterbog, the son of a church organist.

By 1916 Kempff was firmly established as a soloist in Europe, following many appearances with the Berlin Philharmonic under Nikisch, and as a teacher (he became director of the Musikhochschule, Stuttgart, in 1924). In the 1930s he gained a reputation in Beethoven’s sonatas, which he took around the world. Curiously, he did not appear in London until 1951, nor America until 1964.

Apart from a period with Decca in the 1950s, Kempff was a Deutsche Grammophon artist for over 60 years, beginning in 1920. He continued to perform well into his 80s, and gave his final concert in 1981. From 1957 he gave annual courses at his home in Positano, Italy, where he died in 1991.

The two volumes of 'Kempff plays Brahms' focuses on his 1950s recordings from both the Decca and Deutsche Grammophon catalogues. Volume 1 features shorter pieces – the miniature Brahms, so to speak. Volume 2 features his only recording of the First Piano Concerto, and goes on to include the 1957 Deutsche Grammophon recordings of the Third Sonata, the Op.4 Scherzo and the Handel Variations, as well as two curiosities – the two Rhapsodies, Op.79 from 1950 and the Op.117 Intermezzi from 1953, both recorded for Decca and both receiving their first release on CD.

Correspondingly, the 1953 recording of the Rhapsodies and the 1950 recording of the Intemezzi appear on Volume 1.

Contents:
CD 1
- Piano Concerto No.1 in D minor, Op.15
Staatskapelle Dresden / Franz Konwitschny

- Rhapsodies, Op.79
- Intermezzi, Op.117

CD 2
- Variations and Fugue on a theme by Handel in B flat major, Op.24
- Piano Sonata No.3 in F minor, Op.5
- Scherzo in E flat minor, Op.4

‘almost anything played by this keyboard titan is worth hearing’ - International Piano