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Albinoni - Trattenimenti Armonici Op.6 | Brilliant Classics 94852

Albinoni - Trattenimenti Armonici Op.6

Label: Brilliant Classics

Cat No: 94852

Barcode: 5028421948522

Format: CD

Number of Discs: 2

Genre: Orchestral

Release Date: 21st April 2014

This product has now been deleted. Information is for reference only.

Contents

Artists

Giorgio Tosi baroque (violin)
Marlise Goidanich baroque (cello)
Carlo Centemeri (organ)
Zero Emission Baroque Orchestra

Works

Albinoni, Tomaso

Sonatas (12): Trattenimenti armonici per camera, op.6

Artists

Giorgio Tosi baroque (violin)
Marlise Goidanich baroque (cello)
Carlo Centemeri (organ)
Zero Emission Baroque Orchestra

About

Tomaso Albinoni is one of the greatest composers of the Italian Baroque, together with Vivaldi, Corelli and Locatelli. The greatest part of his works, however, is mostly unknown. Therefore, Brilliant Classics plans to issue a substantial series of his works, starting with this first recording of the complete Trattenimenti Armonici. A series of 12 sonatas, for violin, cello and instrumental ensemble, in Sonata da Chiesa style - small scale, alternating fast and slow movements. The violin has a leading role in the typically Italian vocal writing of the solo part.

Tomaso Albinoni was an unusual composer in many ways. An employee of the family business until his father’s death in 1709, he referred to himself simply as a ‘dilettante’, an amateur musician. Even after relocating to Venice, he kept his distance from the professional music scene; as he never subscribed to the Venetian musician’s union, he could never perform publicly in Venice. In spite of this, he composed an enormous 80 operas.

Zero Emission Baroque Orchestra present this special disc of the complete Trattenimenti Armonici Op.6. Although a violinist at heart, Albinoni shows his experience of vocal music by writing a cantabile violin melody in the opening movement of each sonata. Each of the sonatas is written in the church style, alternating fast and slow movements. Of all of them, No.6 proved particularly successful and was arranged by contemporaries for a variety of different instruments, including recorder and transverse flute.

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