Michelangolo Galilei - Intavolatura di Liuto
Currently out of stock at the UK suppliers. Available to order, but is likely to take longer than usual to despatch
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Cat No: RAM1306
Number of Discs: 1
Release Date: 31st March 2014
WorksSonata in A minor
Sonata in B flat major
Sonata in C major
Sonata in C minor
Sonata in F minor
Sonata in G major
Toccata in D minor
Alcun non puo saper
ArtistsAnthony Bailes (lute)
Michelagnolo Galilei, the younger brother of the famous Galileo, was a professional lutenist at the court of Maximillian of Bavaria. In this, he followed in the footsteps of his father, Vincenzo, also a lutenist but equally renowned as a theorist and one of the initiators of Count Bardiís influential Florentine 'Camerata'. Both Michelagnolo and Galileo were taught to play the lute by their father and the music included in this programme would have been known to and played by both brothers.
In 1620 Galileo helped finance Michelagnoloís 'Il primo libro díintavolatura di liuto'. For this reason, most of the pieces for this project have been chosen from this publication. Despite being relatively unknown, it contains repertoire of high musical quality, reflecting the new thinking of the day and displaying both Italian influence (as in the poetic toccatas, stylistically close to the toccata de durezzo e ligature) and the new seventeenth-century French style, as evinced by the correntes and voltes.
As such, the collection is a unique amalgam of forms encountered in no other publication of lute music. The book also contains passamezzi with their salterelli, a genre found in countless sixteenth-century collections and fulfilling the same function as the 'twelve bar blues' in our own time.
Error on this page? Let us know here
Need more information on this product? Click here