This reconstruction has been done by scholar and oboist Bruce Haynes. They are slightly “tongue in cheek”, demonstrating the endless possibilities for treatment of Bach’s rich musical inventions.

The works are played by some of Montreal’s finest early music performers.

Contents:
- Brandenburg Concerto No.7
I. Allegro (after J S Bach's Cantata BWV 34: O ewiges Feuer, o Ursprung der Liebe)
II. Adagio (after J S Bach's Cantata BWV 150: Sinfonia)
III. Allegro (after J S Bach's Cantata BWV 31: Sonata)

- Brandenburg Concerto No.8
I. Allegro (after J S Bach's Cantata BWV 74: Nichts kann mich erretten)
II. Affettuoso (after J S Bach's Cantata BWV 99: Wenn des Kreuzes Bitterkeiten)
III. Allegro (after J S Bach's Cantata BWV 65: Nimm mich dir zu eigen hin)

- Brandenburg Concerto No.9
I. Allegro (after J S Bach's Ascension Oratorio BWV 11: Lobet Gott in seinen Reichen)
II. Adagio - Allegro (after J S Bach's Cantata BWV 34: Friede uber Israe)

- Brandenburg Concerto No.10
I. Andante (after J S Bach's Mass in G minor, BWV 235: Kyrie)
II. Allegro (after J S Bach's  Cantata BWV 78: Wir eilen mit schwachen, doch emsigen Schritten)
III. Presto (after J S Bach's Mass in G minor, BWV 235: Cum Sancto Spiritu)

- Brandenburg Concerto No.11
I. Allegro (after J S Bach's  Cantata BWV 35: Concerto)
II. Adagio (after J S Bach's Concerto for 3 Keyboards in D minor, BWV 1063: II. Alla siciliana)
III. Allegro (after J S Bach's  Cantata BWV 35: Sinfonia)

- Brandenburg Concerto No.12
I. Allegro (after J S Bach's Cantata BWV 163: Lass mein Herz die Munze sein)
II. Andante (after J S Bach's Cantata BWV 80: Wie selig sind doch die, die Gott im Munde tragen)
III. Allegro (after J S Bach's Cantata BWV 18: Sinfonia)