The most distinguished Czech violinist of the 18th century? The first name that springs to mind is that of Franz Benda. His illustrious career led him to the post of concert master of the court orchestra of Frederick II, King of Prussia. He was highly praised by his contemporaries and, according to the period sources, when delivering slow movements he often moved the audience to tears. Benda’s influence throughout Germany was comparable with the enormous authority the celebrated Giuseppe Tartini enjoyed in Italy.

As a composer, he was evidently inspired by Vivaldi’s concertos, which he was thoroughly familiar with. Yet Benda’s concertos are singular works in their own right, abounding in invention, naturally flowing and extremely forcible melody.

Now, at the beginning of the 21st century, Ivan Ženaty is a serious candidate among Czech violinists for the title Benda would have been awarded in the 18th century. This is reinforced by his collaboration with superlative orchestras and conductors (Baudo, Gergiev, Bělohlavek, Marriner, etc.).

With Ivan Ženaty and the excellent Prague Philharmonia’s recording, Benda’s virtuoso concertos are resurrected in the 21st century.