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Monteverdi - Vespro della Beata Virgine | Challenge Classics CC72311

Monteverdi - Vespro della Beata Virgine

New Item

Label: Challenge Classics

Cat No: CC72311

Barcode: 0608917231120

Format: Hybrid SACD

Number of Discs: 2

Genre: Vocal/Choral

Release Date: 27th October 2008

This product has now been deleted. Information is for reference only.

Contents

Artists

La Petite Bande

Conductor

Sigiswald Kuijken

Works

Monteverdi, Claudio

Vespro della beata Vergine

Artists

La Petite Bande

Conductor

Sigiswald Kuijken

About

La Petite Bande was founded in 1972 by Sigiswald Kuijken at the request of the record company Deutsche Harmonia Mundi in order to record Lully’s “Le Bourgeois Gentilhomme” under the direction of Gustav Leonhardt. Although originally it was not meant to become a permanent orchestra, the success of the recordings was such that they began to give concerts regularly. All its members are internationally renowned specialists in the early music field.

The early music specialist Sigiswald Kuijken has had a decisive influence on the approach to violin music, as his innovative approach to the technique of playing baroque violin has been adopted by many musicians since the early 1970s. He is now universally recognized as one of the leading experts in his field.

Monteverdi’sVespro della Beata Vergine” was published in 1610, together with his “Missa in illo tempore”. This edition is his first important collection of music for the Catholic service, although there is much uncertainty about how it came into being. In fact, it is a collection of various pieces which were most likely not conceived together as a self-contained unit.

The manner of performance of this sort of music could vary strongly in the time, even within the prevailing conventions. However, in his 1610 edition, Monteverdi gave many concrete instructions regarding vocal and instrumental setting, which actually makes the choices more limited. In this performance, these instructions have been followed in their entirety, even when that means for example that some instruments are seldom used. The vocal parts are therefore always in a solo setting, one per part, and the ten vocalists each have a specific individual role. Consistent with the composer’s instructions about instrumentation, many fragments are accompanied only by the organ.

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