They are taken from a concert in Sydney’s City Recital Hall last year, which marked the 25th anniversary of the orchestra’s appearance under Brüggen. The approach is typically large-scale and imposing: this 21st-century fusion of modern instruments with period ideas creates a fullness of sound that sometimes belies the fact that it is a chamber orchestra …, but which is always combined with a transparency and litheness that make it constantly engaging and worthwhile. … There’s a sense, too, that these performances have been left exactly as they were on the night, without any post-concert patching, and the security and sense of ensemble in the playing are marvellous to behold – movements such as the finales of the E flat Symphony K543 and the C major Jupiter K551 are breathtakingly nimble, with every detail perfectly defined. … What you have here is one of the greatest chamber orchestras in the world at its most joyous and inspirational.  Andrew Clements (Disc of the Week)